A work in constant progress (and occasional regress).
Release Date:
October 23, 1998
Original Title:
Μια αιωνιότητα και μια μέρα
Alternate Titles:
Die Ewigkeit und ein Tag
Eternity and a Day
Evigheten og en dag
L'éternité et un jour
MIA EONIOTITA KE MIA MERA
Mia aioniotita kai mia mera
ابدیت و یک روز
الأبدية ويوم
永恒的一天
영원과 하루
Genres:
Drama
Production Companies:
ARTE
Canal+
Classic Productions
EPT
Eurimages
Greek Film Centre
Intermédias
Istituto Luce Cinecittà
La Sept Cinéma
Paradis Films
Theo Angelopoulos Films
WDR
Production Countries:
France | Germany | Greece | Italy
Ratings / Certifications:
CZ: 15+ KR: ALL
Runtime: 133
An ailing Greek man attempts to take a young, illegal Albanian immigrant home.
Administration:
Stefanos Daniilidis
Assistant Director:
Takis Katselis
Assistant Set Designer:
Nikos Triandafilopoulos
Associate Producer:
Martin Wiebel
Casting:
Rita Forzano
Alexandros Lambridis
Co-Writer:
Giorgio Silvagni
Costume Assistant:
Tota Pritsa
Costume Design:
Giorgos Patsas
Director:
Theo Angelopoulos
Director of Photography:
Andreas Sinanos
Giorgos Arvanitis
Dolby Consultant:
James Seddon
Editor:
Yannis Tsitsopoulos
Electrician:
Slobodan Gojković
Dragoljub Erić
Marko Lakicevic
Executive Producer:
Foivi Oikonomopoulou
First Assistant Camera:
Akis Zorbas
Yorgos Giannelis
Grip:
Grigoris Samiotis
Yorgos Angelou
Paraskevas Grillis
Idea:
Theo Angelopoulos
Makeup Department Head:
Giannis Pamoukis
Music:
Eleni Karaindrou
Musician:
Andreas Tsekouras
Negative Cutter:
Nikos Adamopoulos
Producer:
Theo Angelopoulos
Éric Heumann
Amedeo Pagani
Giorgio Silvagni
Production Director:
Lefteris Haronitis
Nikos Sekeris
Property Master:
Dimitris Avgeros
Dimitris Kitsikoudis
Screenplay:
Tonino Guerra
Petros Markaris
Theo Angelopoulos
Second Assistant Camera:
Giorgos Papandrikopoulos
Yorgos Michelis
Second Assistant Director:
Fofo Terzidou
Iosifina Markarian
Set Decoration:
Costas Dimitriadis
Giorgos Ziakas
Sound Re-Recording Assistant:
Vangelis Vlessas
Sound Re-Recording Mixer:
Kostas Varympopiotis
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.