A work in constant progress (and occasional regress).
Release Date:
December 7, 2006
Original Title:
Fatal Trust
Genres:
Crime | Drama | Mystery | Romance | TV Movie | Thriller
Production Companies:
Anne Carlucci Productions
Corus Entertainment
Incendo Productions
Power
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 89
Following the death of her husband, Kate moves back home with her young child to live with her sister. As she begins to rebuild her life, she quickly realizes that the Doctor for whom she works is really a psychotic serial killer, his victims murdered with snake venom. As she begins to unfold his dark secrets, she finds she is in as much danger as his victims.
"B" Camera Operator:
Maurice Roy
ADR Editor:
Mireille Morin
ADR Supervisor:
Natalie Fleurant
David Spence
Additional Grip:
Claude Sauvageau
Raymond Beauchamp
David Dollé
Stéphane Klopp
Additional Third Assistant Director:
Yanick Henrico
Art Department Assistant:
Julie Longpré
Art Department Coordinator:
Isabelle Létourneau
Assistant Accountant:
Erin Dance
Assistant Location Manager:
Danielle Duperreault
Isabelle Champeau
Assistant Property Master:
Danielle Paré
Assistant Set Decoration:
Amélie Léonard
Xavier Georges
Assistant Unit Manager:
Edmond de Lorimier
Best Boy Electric:
Jérôme Bouchard
Boom Operator:
Philippé Lavigne
Camera Trainee:
Isabelle Dallaire-Rioux
Casting:
Vera Miller
Nadia Rona
Linda Berger
Casting Associate:
Jennifer Pilon
Colorist:
Brigitte Daigneault
Costume Design:
Nicole Pelletier
Dialogue Editor:
Mireille Morin
Director:
Philippe Gagnon
Director of Photography:
Pierre Jodoin
Daniel Villeneuve
Dresser:
Sophie Lemay
Editor:
Carina Baccanale
Electrician:
Pierre Daudelin
Charles Proulx
Alain Apollon
Maxime Cloutier
Jean François Lépine
July Côté
Executive Producer:
Justin Bodle
Stephen Greenberg
Anne Carlucci
Jean Bureau
Extras Casting:
Mike Bucci
First Assistant "B" Camera:
Nicolas Fournier
First Assistant Camera:
Christian Navennec
First Assistant Director:
Matthew Jemus
Foley Artist:
Simon Meilleur
Foley Recordist:
Daniel Bisson
Gregory Bolduc
Gaffer:
Alex Amyot
Generator Operator:
Yves Ouimet
Grip:
Leo-Denis Carpentier
Marc Brault
Jean-François Sauvageau
Hairdresser:
Sabin Paradis
Key Dresser:
Martine Picard
Key Grip:
Yvon Boudrias
Key Hair Stylist:
Hanna Yee
Key Makeup Artist:
Melissa Purino
Line Producer:
Serge Denis
Location Manager:
Pierre Carroll
Makeup Artist:
Tahira Herold
Music Producer:
Martin Roy
Online Editor:
Eric Losier
Original Music Composer:
Martin Roy
Vincent Rehel
Post Production Supervisor:
Georges Jardon
Mélanie Gauthier
Producer:
Jean Bureau
Josée Mauffette
Production Coordinator:
Chanterelle Letellier
Production Design:
André Chamberland
Production Manager:
Simon-Pier Bélanger
Production Secretary:
Nadine Lussier
Desmond Kennedy
Property Buyer:
Marc C. De Léry
Property Master:
Patrick Stoll
Script Supervisor:
Nathalie Paquette
Seamstress:
Michelle Pépin
Second Assistant Camera:
Isabelle Pépin
Second Assistant Director:
Paul Drouin
Set Decoration:
Josée Pilon
Sound Effects Editor:
Martin Lemieux
Marc Gagnon
Sound Mixer:
Martin C. Desmarais
Sound Re-Recording Mixer:
Luc Boudrias
Special Effects:
Louis Craig
Special Effects Supervisor:
Louis Craig
Stand In:
René Paiement
Vie Nystrom
Still Photographer:
Yannick MacDonald
Stunt Coordinator:
Jean Frenette
Stéphane Lefebvre
Stunt Double:
Hélèna Laliberté
Robyn McNicoll
Stéphane Lefebvre
Stunts:
Martin Williams
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Natalia Ortelli
Unit Manager:
Benjamin Sales
Wardrobe Assistant:
Marie-Christine Pelletier
Writer:
Andrew Hilton
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.