A work in constant progress (and occasional regress).
Xavier Georges is a Canadian production designer originally from Montreal, Quebec. He studied Arts & Communications at Concordia University. Since 1989, he has devoted the greater part of his career to the performing arts, with experience in theatre, television, corporate events, music videos, commercials shorts and feature films. From 1994 to 1999, he was the owner and artistic director of Lox Design. He moved from Quebec to Newfoundland and Labrador in 2006. There, he founded the Cultural Network of the Fédération des francophone de Terre-Neuve-et-Labrador (FFTNL). In 2008, he founded a French radio station, Rafale FM. In 2011, he produced and directed a documentary, Frolic : Une balade de ports en ports. In 2014, he incorporated Sibelle Productions!, the first french production company in the province. He is also the creator and producer of the documentary series Hors Circuits, which first aired on UNIS TV in Canada and later aired internationnaly on TV5 Monde.
Art Direction:
2009 Cut from the Same Cloth
2011 Meters
2017 Casey
2022 Notre Dame de Moncton
Assistant Set Decoration:
2000 The Art of War
2004 Battle of the Brave
2004 Wicker Park
2006 Fatal Trust
2006 Flirting with Danger
2006 Live Once, Die Twice
2009 Cut from the Same Cloth
2011 Meters
2017 Casey
2022 Notre Dame de Moncton
Construction Coordinator:
1999 August 32nd on Earth
2000 The Art of War
2004 Battle of the Brave
2004 Wicker Park
2006 Fatal Trust
2006 Flirting with Danger
2006 Live Once, Die Twice
2009 Cut from the Same Cloth
2011 Meters
2017 Casey
2022 Notre Dame de Moncton
Production Design:
1999 August 32nd on Earth
2000 The Art of War
2004 Battle of the Brave
2004 Wicker Park
2006 1st Bite
2006 Fatal Trust
2006 Flirting with Danger
2006 Live Once, Die Twice
2009 Cut from the Same Cloth
2011 A River in the Woods
2011 Meters
2013 Infanticide!
2014 Between Two Walls
2014 Cast No Shadow
2014 Sadie
2016 Touch
2017 Casey
2017 Hunting Pignut
2022 Notre Dame de Moncton
2024 Sweet Angel Baby
???? Hangashore
Set Designer:
1999 August 32nd on Earth
2000 The Art of War
2001 Subconscious Cruelty
2004 Battle of the Brave
2004 Wicker Park
2006 1st Bite
2006 Fatal Trust
2006 Flirting with Danger
2006 Live Once, Die Twice
2009 Cut from the Same Cloth
2011 A River in the Woods
2011 Meters
2013 Infanticide!
2014 Between Two Walls
2014 Cast No Shadow
2014 Sadie
2016 Touch
2017 Casey
2017 Hunting Pignut
2022 Notre Dame de Moncton
2024 Sweet Angel Baby
???? Hangashore
Set Dresser:
1999 August 32nd on Earth
1999 Grey Owl
1999 Memories Unlocked
2000 The Art of War
2001 Subconscious Cruelty
2004 Battle of the Brave
2004 Wicker Park
2006 1st Bite
2006 Fatal Trust
2006 Flirting with Danger
2006 Live Once, Die Twice
2009 Cut from the Same Cloth
2011 A River in the Woods
2011 Meters
2013 Infanticide!
2014 Between Two Walls
2014 Cast No Shadow
2014 Sadie
2016 Touch
2017 Casey
2017 Hunting Pignut
2022 Notre Dame de Moncton
2024 Sweet Angel Baby
???? Hangashore
Producer:
2016 Hors circuits
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.