A work in constant progress (and occasional regress).
Release Date:
October 28, 1999
Original Title:
The Insider
Alternate Titles:
A bennfentes
Dietro la verità
El dilema
Ha-Makkor
Insider
Köstebek
O Informante
Probuđena savjest
Révélations
Scandal în industria tutunului
Sisäpiirissä
nsider: Muž, který věděl příliš mnoho
Вътрешен човек
インサイダー
奪命煙幕
인사이더
Genres:
Drama | Thriller
Production Companies:
Forward Pass
Mann/Roth Productions
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 12+ DE: 6 DK: 15 FR: TP GB: 15 GR: 13 HU: 18 IE: 16 IT: T JP: G KR: 12 NL: AL PL: 18 PT: M/14 US: R
Runtime: 158
A research chemist comes under personal and professional attack when he decides to appear in a 60 Minutes exposé on Big Tobacco.
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"A" Camera Operator:
Gary Jay
"B" Camera Operator:
J. Michael Muro
24 Frame Playback:
Dan Dobson
ADR Editor:
Nicholas Korda
Linda Folk
ADR Engineer:
Derek Casari
Dennis Sager
ADR Mixer:
Charleen Richards-Steeves
ADR Recordist:
David Lucarelli
Accountant:
Harvey Edinoff
Additional Music:
Graeme Revell
Additional Second Assistant Director:
Tamar Ichilov
Art Department Coordinator:
Susan Linville
Art Department Production Assistant:
Mike Roth
Art Direction:
Avishay Avivi
John Kasarda
James E. Tocci
Assistant Accountant:
Michelle Stevens
A.J. Mink Jr.
Mark Aller
Ryan Miller
Assistant Art Director:
Erik Olson
Steven Schwartz
Anat Avivi
Ted Haigh
Assistant Costume Designer:
Michele Michel
Emily Loreto
Christopher Lawrence
Assistant Editor:
Jennifer Neysa Jew
Fabienne Rawley
Carole A. Kenneally
Logan Breit
Jason Solberg
Scott K. Wallace
Assistant Location Manager:
Alan Forbes
Julie Hannum
Chanel Salzer
Deirdre Costa
Patricia Castellanos
Lin Saunders
Brian Hilburn
James Lin
Assistant Production Coordinator:
Luke Ployhar
Victoria Robinson
Kelly Erin
Maya Raz-Ivanir
Judd Nissen
Assistant Property Master:
Selma Kora
Michael Hansen
Thomas R. Wagner
Assistant Set Decoration:
Paige Augustine
Leslie 'Tinker' Linville
Assistant Sound Editor:
Del Spiva
Associate Producer:
Gusmano Cesaretti
Kathleen M. Shea
Best Boy Electric:
Pat Fitzpatrick
Thomas Dolan
Best Boy Grip:
Jay Kleinhesselink
Edward J. Egan III
Best Boy Lighting Technician:
Sean Higgins
Boom Operator:
Thomas A. Payne
Nicholas R. Allen
CG Supervisor:
Liz Radley
Cableman:
Thomas A. Payne
Camera Operator:
Michael Mann
Camera Production Assistant:
Aran Mann
Carpenter:
Rich Koll
Thomas Lauifi
Casting:
Bonnie Timmermann
Yael Aviv
Casting Assistant:
Stephen Vincent
Andrew Storms
Casting Associate:
Alison E. McBryde
Jean Joson
Chief Lighting Technician:
Jeffrey W. Petersen
Roger Meilink
Co-Producer:
Michael Waxman
Color Timer:
David Orr
Construction Coordinator:
Robert A. Blackburn
Robert DiGrigoli
Construction Foreman:
William H. Phen Jr.
John Holcombe
Jonas Kirk
Robert L. Thompson
Mark Weber
Marco A. Campos
Costume Design:
Anna B. Sheppard
Christopher Lawrence
Costumer:
Michael Castellano
Craft Service:
Chris Winn
Eric Winn
Dialect Coach:
Judy Dickerson
Cindia Huppeler
Dialogue Editor:
Stephanie Flack
Mary Ruth Smith
Darren King
Digital Compositor:
Travis Baumann
Matt Dessero
Fortunato Frattasio
Janet Yale
Jason Piccioni
Michael Root
Digital Effects Producer:
Scott Dougherty
Director:
Michael Mann
Director of Photography:
Dante Spinotti
Dolly Grip:
Alberto S. Ramos
Chris Gordon
Driver:
Paul Kuzmich
Joseph Sullivan
Robert Nagle
Editor:
William Goldenberg
David Rosenbloom
Paul Rubell
Editorial Production Assistant:
Devin O'Brien
Editorial Services:
Bryan Lamoureux
Jason Hudak
Electrician:
Eric Cochran
Jeff Enneking
Javier Ferrer
Michael A. Walsh
Hollywood Heard
Christopher Boddy
James Redman
Alan McKenzie
Frank B. Maxwell
Gregory Collis
James Frederick
Craig Kvinsland
Ofer Margolin
Bruce Sharp
Executive In Charge Of Production:
Ron Lynch
Extras Casting:
Tammy L. Smith
Sylvia Fay
Extras Casting Assistant:
Patricia Phillips
First Assistant "A" Camera:
Duane Manwiller
First Assistant "B" Camera:
David Galbraith
Chris Silano
Peter D. Roome
First Assistant Accountant:
Kurt Greufe
Michael DeSantis
Beverly L. Mink
Beverly Jusi
John Alfred
First Assistant Director:
Itai Tamir
Michael Waxman
First Assistant Editor:
Gregory Plotkin
Adam P. Scott
Kevin Nolting
Richmond Riedel
Michel Aller
First Assistant Sound Editor:
Michelle Pazer
Meg Taylor
Focus Puller:
Ehab Assal
Foley Artist:
Dan O'Connell
John T. Cucci
Foley Editor:
John Murray
Donald Sylvester
Dan Yale
Foley Mixer:
James Ashwill
Foley Recordist:
Linda Lew
Gaffer:
Jay Fortune
Yuda Tatarko
Graphic Designer:
Ted Haigh
Shmulik Ben Shalom
Greensman:
James Bittl
Ildefonso Goris
Grip:
Ray Ochoa
Allen De Silva
William J. Crawford
Bobby Spalding
Patrick Skaggs
Donnie Tucker
Danny Barfield
Walter 'Bud' Scott
Hair Designer:
Vera Mitchell
Hairstylist:
Judith A. Cory
Michael Moore
Key Costumer:
Holly Davis
Ruta Shaudinisky
Hugo Peña
Key Grip:
Scott M. Robinson
Ed Quinn
Itzik Ben-Aroya
Key Rigging Grip:
Robert Duggan
Tom Gilligan
Leadman:
Mark Weissenfluh
Jonathan Bobbitt
Christopher Nelson
Lighting Technician:
Brian Webster
Line Producer:
Avi Kleinberger
Shlomo Urbach
Loader:
Paul Shane Durazo
Location Assistant:
Brian Hilburn
Location Casting:
Shirley Fulton Crumley
Location Manager:
William Bowling
Janice Polley
Gail Stempler
Trish Adlesic
Gil Alon
Farkad Mahamid
Lori A. Balton
D. Scott Lumpkin
Location Scout:
Joseph E. Mennella
Makeup Artist:
Esther Ben-Noon
Jeni Lee Dinkel
Heidi Kulow
Bill Myer
Greg Cannom
Makeup Department Head:
John Caglione Jr.
Makeup Effects Designer:
Keith VanderLaan
Matte Painter:
Craig Barron
Brett Northcutt
Music Arranger:
David E. Russo
Music Editor:
Bob Badami
Thomas Milano
Tod Holcomb
Music Programmer:
David E. Russo
Musician:
Tom Boyd
Darrin McCann
Negative Cutter:
Mary Beth Smith
On Set Dresser:
James P. Meehan
Orchestrator:
Tim Simonec
Steven Scott Smalley
Matthew Ferraro
Ciaran Hope
Original Music Composer:
Pieter Bourke
Lisa Gerrard
Painter:
Tom Holcomb
Michael Holcomb
Payroll Accountant:
Liz Dykhouse
Teresa Jaime Drapkin
Picture Car Coordinator:
Eli Zioni
Post Production Accountant:
Thomas Bianco
Post Production Assistant:
Adam Kimmerlin
Post Production Supervisor:
Erica L. Hiller
Producer:
Pieter Jan Brugge
Michael Mann
Production Accountant:
Barbara Gutman
Production Coordinator:
M. Michelle Nishikawa
Shirley Davis
Ginny Warner
Edna Rosen
Production Design:
Brian Morris
Production Manager:
Adi Shoval
Production Secretary:
Christina Rollo
Ray Utarnachitt
Anna Raisor
Orna Lusternic
Production Sound Mixer:
Lee Orloff
Production Supervisor:
Sherry Marshall
Monica Levinson
Tim Healey
Projection:
Thomas S. Dickson
Robert Destolfe
Dan Carter
Prop Maker:
Jim Drew
Property Master:
Charles Stewart
Barbara A. Kastner
Boaz Katznelson
Propmaker:
Gary B. Krakoff Jr.
Travis Huffman
Rigging Gaffer:
James Malone
James M. McClure
Keith Davis
Bryn Pryor
Giovanni Zelko
Rigging Grip:
Daniel Duggan
Scenic Artist:
Ruti Reichenshtein
Score Engineer:
Dennis Sager
Scoring Mixer:
Robert Fernandez
John Kurlander
Dan Wallin
Geoff Foster
Screenplay:
Michael Mann
Eric Roth
Script Supervisor:
Julie Pitkanen
Eva Z. Cabrera
Revital Zimering
Second Assistant "A" Camera:
Glenn Brown
Meredith Collins
Second Assistant "B" Camera:
James W. Apted
Second Assistant Camera:
Deborah Brozina
Gaby Weismann
Second Assistant Director:
Julie Herrin
Daniel Oron
Second Second Assistant Director:
Jody Spilkoman
Patrick Mangan
Basti Van Der Woude
Louis Guerra
Set Costumer:
Carolyn Dessert
Leah Brown
Julie Glick
Set Decoration:
Beth Kushnick
Miguel Markin
Chris L. Spellman
Sharon Shevach
Nancy Haigh
Set Designer:
Lynn Christopher
Kelly Hannafin
Darrell L. Wight
Set Dresser:
Bryan Hurley
Jennifer Lagura
Wes Long
Chandler Vinar
Troy Borisy
Jimmy Smith
Anthony Klaiman
Bart Barbuscia
Jack Blanchard
Doug Devine
David Napoli
Set Production Assistant:
Josiah W. Hooper
Sound:
David Abrahamsen
Sound Assistant:
Jeena M. Phelps
Monique 'Nico' Salvato
Cherie Tamai
Sound Designer:
David Abrahamsen
Sound Effects Editor:
Yann Delpuech
Brian Risner
Sound Engineer:
Rob Nokes
Philip Harrelson
Denis St. Amand
Sound Re-Recording Mixer:
Doug Hemphill
Andy Nelson
Gregory King
Sound Recordist:
Robert Renga
Craig Heath
Special Effects:
Terry W. King
Dave Crownshaw
Roland Hathaway
Special Effects Assistant:
Lisa Reynolds
Randy Southerland
Special Effects Coordinator:
John E. Gray
Special Effects Technician:
Jay King
Stand In:
Efi Ajami
Standby Painter:
Grant Osborn
Steadicam Operator:
J. Michael Muro
Still Photographer:
Frank Connor
Story:
Marie Brenner
Stunt Coordinator:
Joel Kramer
Supervising Art Director:
Margie Stone McShirley
Supervising Music Editor:
Curt Sobel
Supervising Sound Editor:
Gregg Baxter
Gregory King
Title Designer:
Neville Brody
Transportation Captain:
Daniel B. Briggs
Roger Hanna
Edward O'Donnell
Transportation Co-Captain:
Tom Rebber
Angelo Orefice
Patrick King
Tom Briggs
Transportation Coordinator:
Bryce Guy Williams
Travel Coordinator:
Lori Korngiebel
Unit Production Manager:
Stephen Lim
Art Schaefer
Unit Publicist:
Stuart Fink
Utility Sound:
Jerry Yuen
VFX Editor:
Matt Magnolia
VFX Production Coordinator:
Tiffany Smith Llorens
Video Assist Operator:
Ian Kelly
David Presley
Joel Holland
Visual Effects Camera:
James Balsam
Michael Talarico
Visual Effects Producer:
Krystyna Demkowicz
Visual Effects Supervisor:
Chris Watts
Jerry Pooler
Wardrobe Supervisor:
Susan J. Wright
Cheryl Kilbourne-Kimpton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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