A work in constant progress (and occasional regress).
Alias:
Paul Martin Rubell
Born:
September 6, 1952
Paul Rubell is an American film editor. His career spans 25 years in both film and television. Rubell obtained his bachelor's degree in English literature from the University of California, Los Angeles. Rubell worked for a time with editor Lou Lombardo. His first editing credit was for the film The Final Terror (1983). He worked for about ten years on films and programming for television before returning to feature films as the editor for The Island of Dr. Moreau. Rubell has been elected to membership in the American Cinema Editors. Description above from the Wikipedia article Paul Rubell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Editor:
2012 The Avengers
2020 Mulan
Associate Producer:
1986 Promise
1989 My Name Is Bill W.
1990 When You Remember Me
2012 The Avengers
2020 Mulan
Editor:
1983 The Final Terror
1984 The Stone Boy
1985 Toughlove
1986 Promise
1987 Echoes in the Darkness
1989 Home Fires Burning
1989 My Name Is Bill W.
1990 Challenger
1990 When You Remember Me
1991 Finding the Way Home
1992 Ruby Cairo
1992 Stay the Night
1994 Past Tense
1994 The Burning Season
1996 The Island of Dr. Moreau
1997 David
1998 Blade
1999 The Insider
2000 The Cell
2002 S1m0ne
2002 xXx
2003 Peter Pan
2003 The League of Extraordinary Gentlemen
2004 Collateral
2005 The Island
2006 Miami Vice
2007 Transformers
2008 Hancock
2009 Public Enemies
2009 Transformers: Revenge of the Fallen
2011 Thor
2012 Battleship
2012 The Avengers
2014 Need for Speed
2014 Seventh Son
2014 Transformers: Age of Extinction
2016 The 5th Wave
2017 The Fate of the Furious
2018 Bumblebee
2020 Mulan
???? The Lost Bus
Associate Producer:
1987 Echoes in the Darkness
Editor:
1987 Echoes in the Darkness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.