A work in constant progress (and occasional regress).
Release Date:
September 1, 2021
Original Title:
Solazo
Genres:
Drama | Science Fiction
Production Companies:
Poema de Amor
Production Countries:
Mexico
Ratings / Certifications:
N/A
Runtime: 15
Solazo is set in a future in which solar radiation has become harmful. Humanity has managed to adapt, however Lucas is torn between the attraction and repulsion that the sun causes him, while he takes care of a plant.
Assistant Camera:
Mauricio Hernández
Assistant Director:
Xánath Ar
Daniel Pineda
Captain Driver:
Diego Fernández
Irvin Hernández
Catering:
Consuelo Bautista
Cinematography:
Monserrat Castañares
Rhamses Muñoz
Color Grading:
Kevin Vásquez
Costume Assistant:
José Ramírez
Ángel Florez
Costume Consultant:
Yolanda Castro
Costume Design:
Estefania García
Director:
Kevin Vásquez
Editor:
Dafne Vásquez
Electrician:
Gonzalo Alemón
Executive Producer:
Rhamses Muñoz
Dafne Vásquez
Kevin Vásquez
Estefania García
Mauricio Hernández
Monserrat Castañares
Foley:
Estefania García
Vicente Méndez Saucedo
Gaffer:
Braulio Conde
Graphic Designer:
Mauricio Garza
Hairstylist:
Estefania García
Lighting Director:
Rhamses Muñoz
Lighting Production Assistant:
Milthon Blanco
Makeup & Hair:
Estefania García
Makeup Artist:
Daniela González Ponsi
Matte Painter:
Avilix Nevarez
Motion Capture Artist:
Rhamses Muñoz
Music:
Alonso Huerta
Producer:
Lizbeth Hernández
Production Coordinator:
Xánath Ar
Production Design:
Lizbeth Hernández
Props:
Laura Castro
Rhamses Muñoz
Sound Designer:
Alonso Huerta
Joshua Cruz Arellano
Sound Editor:
Estefania García
Sound Engineer:
Milthon Blanco
Marcos Aguirre
Victor Estrada
Víctor Estrada
Sound Mixer:
David Karp
Joshua Cruz Arellano
Still Photographer:
Yanin Mendoza
Victoria Guerrero
Title Designer:
Daniel Cordero
Title Illustration:
Ana Reza
Visual Effects:
Rhamses Muñoz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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