A work in constant progress (and occasional regress).
Continuity:
2019 El Vampiro de Coyoacán
Editor:
2019 El Vampiro de Coyoacán
Foley:
2019 El Vampiro de Coyoacán
2021 Solazo
Mixing Engineer:
2019 El Vampiro de Coyoacán
2021 Solazo
2024 Tlön
Music:
1971 Voice of La Raza
2019 El Vampiro de Coyoacán
2021 Solazo
2024 Tlön
Producer:
1971 Voice of La Raza
2018 Blossoms in Agony
2019 El Vampiro de Coyoacán
2021 Solazo
2024 Tlön
Sound:
1971 Voice of La Raza
2018 Blossoms in Agony
2019 El Vampiro de Coyoacán
2021 Solazo
2024 Tlön
???? The mayan forest: When a tapir gazes upon you
Sound Designer:
1971 Voice of La Raza
2018 Blossoms in Agony
2019 A New Goodbye
2019 El Vampiro de Coyoacán
2020 Un silencio prolongado
2021 Solazo
2022 Where Burning Cold Lies
2023 Somos animales
2024 Tlön
???? The mayan forest: When a tapir gazes upon you
Sound Editor:
1971 Voice of La Raza
2018 Blossoms in Agony
2018 Kashmir
2019 A New Goodbye
2019 El Vampiro de Coyoacán
2020 Un silencio prolongado
2021 Solazo
2022 The Dark Night of the Soul
2022 Where Burning Cold Lies
2023 Somos animales
2024 Tlön
???? The mayan forest: When a tapir gazes upon you
Sound Mixer:
1971 Voice of La Raza
2018 Blossoms in Agony
2018 Kashmir
2019 A New Goodbye
2019 El Vampiro de Coyoacán
2020 Un silencio prolongado
2021 Solazo
2022 The Dark Night of the Soul
2022 Where Burning Cold Lies
2023 Somos animales
2024 Tlön
???? The mayan forest: When a tapir gazes upon you
Sound Recordist:
1971 Voice of La Raza
2018 Blossoms in Agony
2018 Kashmir
2019 A New Goodbye
2019 El Vampiro de Coyoacán
2020 Un silencio prolongado
2021 Solazo
2022 Elsewhere
2022 The Dark Night of the Soul
2022 Where Burning Cold Lies
2023 Somos animales
2024 Sueñan las Piñas
2024 Tlön
???? The mayan forest: When a tapir gazes upon you
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.