A work in constant progress (and occasional regress).
Director:
2018 Reflection
Editor:
2018 Blossoms in Agony
2018 Reflection
Post Producer:
2018 Blossoms in Agony
2018 Reflection
Production Design:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
Screenplay:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
Sound:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
2021 Madrugada En Un Mundo Perfecto
2024 All the Rage of the World
Sound Design Assistant:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
2021 Madrugada En Un Mundo Perfecto
2023 Somos animales
2024 All the Rage of the World
Sound Designer:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
2021 Madrugada En Un Mundo Perfecto
2021 Solazo
2023 Los cuerpos que se apagan
2023 Somos animales
2024 All the Rage of the World
2024 The Dog
Sound Editor:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
2020 Se habla de Gabriel
2021 Madrugada En Un Mundo Perfecto
2021 Solazo
2023 Christmases
2023 Los cuerpos que se apagan
2023 Silence After Storm
2023 Somos animales
2024 All the Rage of the World
2024 Necromicón
2024 The Dog
Sound Mixer:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
2020 Se habla de Gabriel
2021 Madrugada En Un Mundo Perfecto
2021 Solazo
2023 Christmases
2023 Los cuerpos que se apagan
2023 Silence After Storm
2023 Somos animales
2024 All the Rage of the World
2024 Necromicón
2024 The Dog
Sound Recordist:
2018 Blossoms in Agony
2018 Reflection
2019 Monotonous Sound
2020 Se habla de Gabriel
2021 Madrugada En Un Mundo Perfecto
2021 Solazo
2023 Christmases
2023 Los cuerpos que se apagan
2023 Silence After Storm
2023 Somos animales
2024 All the Rage of the World
2024 Necromicón
2024 The Dog
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.