A work in constant progress (and occasional regress).
Alias:
Jeff Cronenweth, ASC
Jeffrey Scott Cronenweth, ASC (born January 14, 1962) is an American cinematographer based in Los Angeles, California, who is known for his role as the director of photography on the David Fincher films Fight Club, The Social Network, The Girl with the Dragon Tattoo and Gone Girl (two of which earned him Academy Award for Best Cinematography nominations in 2010 and 2011). He graduated from the USC School of Cinematic Arts. He was invited to join the cinematographers branch of the Academy of Motion Picture Arts and Sciences in 2004. He is the son of Jordan Cronenweth, one of the most influential cinematographers in motion picture history. Description above from the Wikipedia article Jeff Cronenweth, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cinematography:
???? Robbie Robertson: A Retrospective - From the Band to the Rock'n'Roll Hall Of Fame
Director:
2015 Rage Against The Machine: Live At Finsbury Park
???? Robbie Robertson: A Retrospective - From the Band to the Rock'n'Roll Hall Of Fame
Director of Photography:
1995 Robbie Robertson: Going Home
1999 Fight Club
2002 K-19: The Widowmaker
2002 One Hour Photo
2003 Down with Love
2005 The Work of Director Mark Romanek
2010 The Social Network
2011 The Girl with the Dragon Tattoo
2012 Hitchcock
2014 Gone Girl
2015 Rage Against The Machine: Live At Finsbury Park
2019 A Million Little Pieces
2021 Being the Ricardos
2023 The Calm
2025 Brighter Days Ahead
2025 TRON: Ares
???? Robbie Robertson: A Retrospective - From the Band to the Rock'n'Roll Hall Of Fame
First Assistant Camera:
1988 Cop
1990 State of Grace
1993 Sleepless in Seattle
1993 What's Eating Gilbert Grape
1994 Only You
1995 Robbie Robertson: Going Home
1999 Fight Club
2002 K-19: The Widowmaker
2002 One Hour Photo
2003 Down with Love
2005 The Work of Director Mark Romanek
2010 The Social Network
2011 The Girl with the Dragon Tattoo
2012 Hitchcock
2014 Gone Girl
2015 Rage Against The Machine: Live At Finsbury Park
2019 A Million Little Pieces
2021 Being the Ricardos
2023 The Calm
2025 Brighter Days Ahead
2025 TRON: Ares
???? Robbie Robertson: A Retrospective - From the Band to the Rock'n'Roll Hall Of Fame
Second Assistant Camera:
1986 Peggy Sue Got Married
1987 Gardens of Stone
1988 Cop
1990 State of Grace
1993 Sleepless in Seattle
1993 What's Eating Gilbert Grape
1994 Only You
1995 Robbie Robertson: Going Home
1999 Fight Club
2002 K-19: The Widowmaker
2002 One Hour Photo
2003 Down with Love
2005 The Work of Director Mark Romanek
2010 The Social Network
2011 The Girl with the Dragon Tattoo
2012 Hitchcock
2014 Gone Girl
2015 Rage Against The Machine: Live At Finsbury Park
2019 A Million Little Pieces
2021 Being the Ricardos
2023 The Calm
2025 Brighter Days Ahead
2025 TRON: Ares
???? Robbie Robertson: A Retrospective - From the Band to the Rock'n'Roll Hall Of Fame
Director of Photography:
2020 Tales from the Loop
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.