A work in constant progress (and occasional regress).
Alias:
Jeff Cronenweth, ASC
Director:
2015 Rage Against The Machine: Live At Finsbury Park
Director of Photography:
1995 Robbie Robertson: Going Home
1999 Fight Club
2002 K-19: The Widowmaker
2002 One Hour Photo
2003 Down with Love
2005 The Work of Director Mark Romanek
2010 The Social Network
2011 The Girl with the Dragon Tattoo
2012 Hitchcock
2014 Gone Girl
2015 Rage Against The Machine: Live At Finsbury Park
2019 A Million Little Pieces
2021 Being the Ricardos
2023 The Calm
2025 TRON: Ares
???? Rothko
First Assistant Camera:
1988 Cop
1990 State of Grace
1993 Sleepless in Seattle
1993 What's Eating Gilbert Grape
1994 Only You
1995 Robbie Robertson: Going Home
1999 Fight Club
2002 K-19: The Widowmaker
2002 One Hour Photo
2003 Down with Love
2005 The Work of Director Mark Romanek
2010 The Social Network
2011 The Girl with the Dragon Tattoo
2012 Hitchcock
2014 Gone Girl
2015 Rage Against The Machine: Live At Finsbury Park
2019 A Million Little Pieces
2021 Being the Ricardos
2023 The Calm
2025 TRON: Ares
???? Rothko
Second Assistant Camera:
1986 Peggy Sue Got Married
1987 Gardens of Stone
1988 Cop
1990 State of Grace
1993 Sleepless in Seattle
1993 What's Eating Gilbert Grape
1994 Only You
1995 Robbie Robertson: Going Home
1999 Fight Club
2002 K-19: The Widowmaker
2002 One Hour Photo
2003 Down with Love
2005 The Work of Director Mark Romanek
2010 The Social Network
2011 The Girl with the Dragon Tattoo
2012 Hitchcock
2014 Gone Girl
2015 Rage Against The Machine: Live At Finsbury Park
2019 A Million Little Pieces
2021 Being the Ricardos
2023 The Calm
2025 TRON: Ares
???? Rothko
Director of Photography:
2020 Tales from the Loop
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.