A work in constant progress (and occasional regress).
Release Date:
July 26, 2002
Original Title:
Austin Powers in Goldmember
Alternate Titles:
Austin Powers 3: Austin Powers in Goldmember
Austin Powers III: In Goldmember
Austin Powers: Goldmember
Austin Powers: To Chrysó Ergaleío
Avanak ajan - Altın kuş
Ostin Pauers: Goldmyembyer
Ostin Pauŭrs v Zlatniya chlen
Ostin Pavers: Zolotyy orhan
오스틴 파워 3
오스틴 파워 골드멤버
Genres:
Comedy | Crime | Science Fiction
Production Companies:
Eric's Boy
Gratitude International
Moving Pictures
New Line Cinema
Team Todd
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 7 ES: 12 FI: K-16 FR: TP GB: 12 GR: PG HU: 16 IE: 15 IT: T JP: G KR: 15 MX: B NL: 6 NO: 9|12 PL: 16 RU: 12+ SE: 7 US: PG-13
Runtime: 94
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
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"A" Camera Operator:
Scott Browner
"B" Camera Operator:
Scott Andrew Ressler
2D Artist:
Brandon Criswell
ADR Editor:
Julie Lindner
ADR Mixer:
Robert Deschaine
ADR Recordist:
Rick Canelli
ADR Supervisor:
Renée Tondelli
Additional Storyboarding:
Josh Sheppard
Aerial Coordinator:
Alan D. Purwin
Aerial Director of Photography:
David B. Nowell
Animal Wrangler:
Tammy Maples
Nick Plantico
Art Department Assistant:
Palma Bellardoni
Art Department Coordinator:
Carol Kiefer
Art Direction:
Drew Boughton
Assistant Camera:
John Mullin
Assistant Chief Lighting Technician:
Eric Sandlin
Assistant Craft Service:
Susan Kreutz
Kela Boyd-Grigoryan
Assistant Director:
Tommy Harper
Assistant Editor:
Staci Pontius
Assistant Location Manager:
Isaac Ardolino
Assistant Production Coordinator:
Terrence Martin
Assistant Property Master:
Adam Austin
Assistant Sound Editor:
Bill Burns
Associate Producer:
Katherine E. Beyda
Marco Schnabel
Best Boy Electric:
Dickinson H. Luke
Best Boy Grip:
Tommy Garcia
Boom Operator:
Scott Jacobs
CG Animator:
Erik Lee
Camera Loader:
Robin Bursey
Jake Avignone
Camera Operator:
Michael J. Walker
Camera Production Assistant:
Rebecca Brenneman
Carpenter:
David Sues
Casting:
Jeanne McCarthy
Juel Bestrop
Casting Assistant:
Natasha Cuba
Casting Associate:
Blythe Cappello
Chief Lighting Technician:
Michael LaViolette
Choreographer:
Marguerite Pomerhn Derricks
Co-Producer:
Gregg Taylor
Color Timer:
Dan Muscarella
Construction Buyer:
Leslie A. Tokunaga
Construction Coordinator:
Douglas Womack
Construction Foreman:
Bryan Corbett
Continuity:
Yvonne Pearson
Costume Design:
Deena Appel
Costume Illustrator:
Michele Michel
Felipe Sanchez
Costume Supervisor:
Hope Slepak
Costumer:
Mila Hermanovski
David Butler
Craft Service:
Raymond Bulinski
Dialogue Editor:
James Matheny
Digital Color Timer:
Mike Sowa
Digital Compositor:
Robert Moggach
Director:
Jay Roach
Director of Photography:
Peter Deming
Dolly Grip:
Tim Collins
Bryan Ashford
Driver:
Maxim Aperian
Editor:
Greg Hayden
Jon Poll
Electrician:
Shane Buttle
Executive In Charge Of Post Production:
Jody Levin
Executive In Charge Of Production:
Erik Holmberg
Executive Music Producer:
Danny Bramson
Executive Producer:
Richard Brener
Toby Emmerich
Executive in Charge of Finance:
Paul Prokop
Extras Casting:
Jennifer Alessi
Sande Alessi
First Assistant "A" Camera:
David Eubank
First Assistant "B" Camera:
Keith Banks
First Assistant Accountant:
Kristi Mujica
First Assistant Camera:
Garrett Benson
First Assistant Director:
Josh King
First Assistant Editor:
Curtis Croeni
First Assistant Sound Editor:
Cherie Tamai
Foley Artist:
Goro Koyama
Foley Mixer:
Don White
Gaffer:
Rick A. West
Graphic Designer:
Susan A. Burig
Greensman:
Frank McEldowney
Hair Department Head:
Candy L. Walken
Hairstylist:
Manuella Goncalves
In Memory Of:
Carla Fry
Key Costumer:
Ann Foley
Key Grip:
Philip Sloan
Bobby Huber
Key Hair Stylist:
Jeri Baker
Key Makeup Artist:
Kate Biscoe
Key Rigging Grip:
Robert K. Feldmann
Key Set Production Assistant:
Kenny Vasquez
Leadman:
Jason Bedig
Loader:
Jacob Avignone
Matthew A. Del Ruth
Location Manager:
Scott Allen Logan
Makeup Artist:
Robin Beauchesne
Ve Neill
Edouard F. Henriques
Makeup Department Head:
Edouard F. Henriques
Makeup Designer:
Michèle Burke
Makeup Supervisor:
Michèle Burke
Music Coordinator:
Patrick Houlihan
Music Editor:
Thomas Bartke
Music Supervisor:
John Houlihan
Musician:
Romeo Antonio
Negative Cutter:
Gary Burritt
On Set Dresser:
John Herrera McElroy
Orchestrator:
Frank Macchia
Original Music Composer:
George S. Clinton
Painter:
Thomas W. Corsello
Payroll Accountant:
Jennifer Hunt Pedevilla
Picture Car Coordinator:
Joshua Hancock
Pilot:
Steve Huff
Alan D. Purwin
Post Production Assistant:
Judith Babcock
Post Production Coordinator:
Stephanie Olah
Post Production Supervisor:
Diana Kaufman
Producer:
Suzanne Todd
Demi Moore
Mike Myers
Jennifer Todd
John S. Lyons
Eric McLeod
Production Accountant:
Diana Adams
Production Assistant:
Morgan Bateman
Production Controller:
Jonathan Davidson
Production Coordinator:
S.J. 'JoJo' Fieger
Production Design:
Rusty Smith
Production Office Assistant:
Emily Ellis
Production Secretary:
Jason Columbus
Production Sound Mixer:
Ken McLaughlin
Production Supervisor:
Katherine E. Beyda
Projection:
Lou Sumien Jr.
Property Master:
John A. Keim
Propmaker:
Satcha Congdon
James Betts
David Sues
Props:
Scott Bauer
Prosthetic Makeup Artist:
Greg Funk
Prosthetic Supervisor:
Camille Calvet
Prosthetics:
Gary Archer
Publicist:
Javier López de Ayala
Rigging Gaffer:
Jeffrey P. Soderberg
Rigging Grip:
Rex Anson Rhorer
Rotoscoping Artist:
Dawn Brooks Macleod
Etienne Andlau
Screenplay:
Mike Myers
Michael McCullers
Script Supervisor:
Jayne-Ann Tenggren
Sculptor:
Michelle Millay
Norman Cabrera
Second Assistant "A" Camera:
Lisa K. Ferguson
Second Assistant "B" Camera:
Paul Tilden
Second Assistant Accountant:
Jerry Lee
Second Assistant Camera:
Adam Baral
Second Assistant Director:
Marcei A. Brown
Second Second Assistant Director:
Marisa Ferrey
Second Unit:
Marco Schnabel
Second Unit Director:
Jack Gill
Security:
Kelly Flynn
Set Costumer:
Edward T. Hanley
Set Decoration:
Sara Andrews
Set Designer:
Kevin Cross
Set Dresser:
Bart Barbuscia
Set Dressing Buyer:
Jill Carvalho
Set Medic:
Apryl Hill
Set Production Assistant:
Joel Elliott
Sound Effects Editor:
Cindy Marty
Sound Mixer:
Steven A. Morrow
Sound Re-Recording Mixer:
Chris Carpenter
Sound Recordist:
Bill Meadows
Special Effects Coordinator:
Michael Meinardus
Special Effects Key Makeup Artist:
Robert Kurtzman
Special Effects Technician:
Chris Brenczewski
Stand In:
Kali Chung
Standby Painter:
Carmine Goglia
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Melinda Sue Gordon
Rebecca Bauscher
Storyboard Artist:
Gabriel Hardman
Stunt Double:
Keith Campbell
Charlie Brewer
Stunts:
Kenny Endoso
Cinda-Lin James
Henry Kingi Jr.
Alex Madison
Shauna Duggins
Henry Kingi
Andy Gill
Jeff Cadiente
Stunts Coordinator:
Jack Gill
Supervising Art Director:
Mark Worthington
Supervising Music Editor:
Bruno Coon
Supervising Sound Editor:
George H. Anderson
Technical Supervisor:
Lee Tucker
Third Assistant Director:
Peter Ramsey
Title Designer:
Simon Cassels
Robert Dawson
Transportation Captain:
Jim Frear
George Alden
Transportation Coordinator:
Bill M. Puluti
Unit Production Manager:
Eric McLeod
Unit Publicist:
Gabriela Gutentag
Utility Sound:
Kate Lumpkin
Utility Stunts:
Nick Brett
Video Assist Operator:
Alfred Ainsworth
Visual Effects Editor:
Craig Alpert
Visual Effects Producer:
Lindsay Hallett
Visual Effects Supervisor:
David D. Johnson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.