A work in constant progress (and occasional regress).
Release Date:
November 7, 1968
Original Title:
Lalka
Alternate Titles:
La Poupée
Lalka
Genres:
Drama | History | Romance
Production Companies:
Zespół Filmowy "Kamera"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 152
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
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Assistant Camera:
Mieczyslaw Lewandowski
Julian Magda
Mieczysław Sitarz
Bronisław Stasiowski
Assistant Director:
Andrzej Berbecki
Beata Bilska
Assistant Editor:
Krzysztof Osiecki
Danuta Bonikowska
Assistant Makeup Artist:
Zygmunt Kaźmierski
Tadeusz Domiczek
Assistant Production Design:
Albin Wejman
Edmund Siekierski
Albert Kuchnia
Tadeusz Kosarewicz
Andrzej Płocki
Assistant Production Manager:
Wiesława Borecka
Ryszard Jasionowski
Wanda Wojnar-Iliew
Wlodzimierz Kaczmarski
Wieslaw Tymowski
Henryk Wasilewski
Assistant Set Decoration:
Wlodzimierz Czachowski
Maria Szafran
Cecylia Wróblewska
Camera Operator:
Andrzej Ramlau
Conductor:
Konrad Bryzek
Costume Assistant:
Elżbieta Meksz
Alicja Ptaszyńska
Costume Design:
Jerzy Skarżyński
Lidia Skarżyńska
Dialogue:
Kazimierz Brandys
Director:
Wojciech Jerzy Has
Director of Photography:
Stefan Matyjaszkiewicz
Editor:
Zofia Dwornik
First Assistant Director:
Wojciech Solarz
Halina Garus
Hairstylist:
Zofia Chec
Makeup Artist:
Anna Włodarczyk
Novel:
Bolesław Prus
Original Music Composer:
Wojciech Kilar
Production Design:
Adam T. Nowakowski
Jerzy Skarżyński
Production Manager:
Ryszard Straszewski
Screenplay:
Wojciech Jerzy Has
Set Decoration:
Maciej Maria Putowski
Sound:
Bohdan Bieńkowski
Sound Assistant:
Kazimierz Siczek
Jan Franciszczak
Włodzimierz Wiśniewski
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.