A work in constant progress (and occasional regress).
Alias:
Cecylia Wróblewska-Sokołowska
Birthplace:
Ostrów, Polska
Born:
January 1, 1902
Art Direction:
1955 The Hours of Hope
Assistant Production Design:
1955 Atlantic Story
1955 Career
1955 Magical Bicycle
1955 The Hours of Hope
1956 Sprawa pilota Maresza
1957 Farewell to the Devil
1957 Skarb kapitana Martensa
1957 Trzy kobiety
1958 Eroica
1959 The Attempt
1960 Meetings In The Dark
1960 The Moonwalkers
1961 Dziś w nocy umrze miasto
1961 Silent Traces
1962 Two Gentlemen 'N'
1963 Czarne skrzydła
1963 The Big, Bigger, and the Biggest
1965 Beata
Assistant Set Decoration:
1952 Young Chopin
1955 Atlantic Story
1955 Career
1955 Magical Bicycle
1955 The Hours of Hope
1956 Sprawa pilota Maresza
1957 Farewell to the Devil
1957 Skarb kapitana Martensa
1957 Trzy kobiety
1958 Eroica
1959 The Attempt
1960 Meetings In The Dark
1960 The Moonwalkers
1961 Dziś w nocy umrze miasto
1961 Silent Traces
1962 Two Gentlemen 'N'
1963 Czarne skrzydła
1963 The Big, Bigger, and the Biggest
1965 Beata
1968 The Doll
Set Decoration:
1952 Young Chopin
1954 Cellulose
1954 Under the Phrygian Star
1955 Atlantic Story
1955 Career
1955 Magical Bicycle
1955 The Hours of Hope
1956 Sprawa pilota Maresza
1957 Farewell to the Devil
1957 Skarb kapitana Martensa
1957 Trzy kobiety
1958 Eroica
1958 What Will My Wife Say to This?
1959 The Attempt
1960 Meetings In The Dark
1960 The Moonwalkers
1961 Dziś w nocy umrze miasto
1961 Silent Traces
1962 Rodzina Milcarków
1962 The Touch of the Night
1962 Two Gentlemen 'N'
1963 Czarne skrzydła
1963 The Big, Bigger, and the Biggest
1964 A Lady from the Window
1965 Beata
1966 Miejsce dla jednego
1966 Sposób bycia
1966 Unloved
1967 Bicz Boży
1967 Pavoncello
1968 The Doll
1969 Adventure with a Song
1969 The Song of Triumphant Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.