A work in constant progress (and occasional regress).
Assistant Camera:
1964 Barwy walki
1964 Wife for an Australian
1965 Back to Life Again
1966 Then There Will Be Silence
1967 Medaliony
1967 Skinny and Others
1968 The Doll
Camera Operator:
1964 Barwy walki
1964 Wife for an Australian
1965 Back to Life Again
1966 Then There Will Be Silence
1967 Jowita
1967 Medaliony
1967 Skinny and Others
1968 The Doll
1969 Kierunek Berlin
1969 Ostatnie dni
1970 Day of Purification
1971 Operation "Brutus"
1972 The Sun Rises Once a Day
Cinematography:
1964 Barwy walki
1964 Wife for an Australian
1965 Back to Life Again
1965 The Desert
1966 Then There Will Be Silence
1967 Jowita
1967 Medaliony
1967 Skinny and Others
1968 The Doll
1969 Kierunek Berlin
1969 Ostatnie dni
1970 Day of Purification
1971 Operation "Brutus"
1972 The Sun Rises Once a Day
Director:
1964 Barwy walki
1964 Wife for an Australian
1965 Back to Life Again
1965 The Desert
1966 Then There Will Be Silence
1967 Jowita
1967 Medaliony
1967 Skinny and Others
1968 The Doll
1969 Kierunek Berlin
1969 Ostatnie dni
1970 Day of Purification
1971 Operation "Brutus"
1972 The Sun Rises Once a Day
1982 Unterm Tisch wächst Moos - Rappelkiste
Director of Photography:
1964 Barwy walki
1964 Wife for an Australian
1965 Back to Life Again
1965 The Desert
1966 I Would Like to Have a Shave
1966 Then There Will Be Silence
1967 Czas może powrócić
1967 Jowita
1967 Medaliony
1967 Skinny and Others
1968 The Doll
1969 Kierunek Berlin
1969 Ostatnie dni
1970 Day of Purification
1970 Monidło
1971 Chase
1971 Operation "Brutus"
1972 Niedziela Barabasza
1972 Seksolatki
1972 Skarb trzech łotrów
1972 The Sun Rises Once a Day
1972 Wiktoryna, czyli czy pan pochodzi z Beauvais?
1978 Poza układem
1982 Unterm Tisch wächst Moos - Rappelkiste
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.