A work in constant progress (and occasional regress).
Release Date:
May 22, 1992
Original Title:
Alien³
Alternate Titles:
A végső megoldás: halál
Ali3n
Alien 3
Alien 3 Special Assembly Cut Edition
Alien 3 (Assembly Cut)
Alien 3 (Theatrical Release)
Alien ³ - The Legacy Cut
Alien³
Alien³ Directors Cut
Alien³: Es ist wieder da
Alien³: Special 'Assembly Cut' Edition
Quái Vật Không Gian 3
Άλιεν 3: Η Τελική Αναμέτρηση
Чужий 3
Чужой 3
एलियन ३
एलीयन ३
異形3
異形第三集
에일리언 3
Genres:
Action | Horror | Science Fiction
Production Companies:
20th Century Fox
Brandywine Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BG: D BR: 16 DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 18 HU: 18 IE: 18 IT: T KR: 15 MX: C NL: 12 NO: 18 PT: M/16 RO: 18 SE: 15 US: R
Runtime: 114
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
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ADR Editor:
Petra Bach
Juno J. Ellis
Jim Shields
John Morrisey
ADR Mixer:
Brad Brock
Peter Lacey
ADR Voice Casting:
Barbara Harris
Animation Supervisor:
Mauro Maressa
Armorer:
Simon Atherton
Art Direction:
Jim Morahan
Assistant Art Director:
Jonathan McKinstry
Assistant Costume Designer:
Graham Churchyard
Assistant Editor:
Tony Tromp
Joanna Jimenez
Assistant Sound Editor:
Ron S. Herbes
Samuel Webb
Boom Operator:
John Samworth
CG Animator:
Larry Weiss
Camera Operator:
William D. Barber
David Worley
Wally Byatt
Mike Frift
Neil Binney
Carpenter:
Jamie White
Laurie Kerr
Casting:
Billy Hopkins
Priscilla John
Casting Assistant:
Lucinda Syson
Characters:
Dan O'Bannon
Ronald Shusett
Chief Lighting Technician:
Dwight Campbell
Co-Producer:
Sigourney Weaver
Color Timer:
David Orr
Keith Parrish
Concept Artist:
Greg Pruss
Jake Scott
Construction Coordinator:
Robert J. Carlyle
Gary A. Krakoff
Construction Manager:
Bill Welch
Costume Design:
Bob Ringwood
David Perry
Creature Design:
H. R. Giger
Digital Effects Supervisor:
Jim Rygiel
Director:
David Fincher
Director of Photography:
Alex Thomson
Dolly Grip:
Colin Manning
Gary Hutchings
Tony Cridlin
Draughtsman:
Michael Boone
Andrew Ackland-Snow
Editor:
David Crowther
Terry Rawlings
Effects Supervisor:
Philip Crescenzo
Executive Producer:
Ezra Swerdlow
First Assistant Camera:
Martin Kenzie
Keith Thomas
Stefan Stankowski
First Assistant Director:
Ken Shane
Chris Carreras
Foley:
David Lee Fein
Foley Artist:
David Lee Fein
Ken Dufva
Foley Editor:
Jerry Jacobson
Victoria Martin
David Horton Jr.
Foley Mixer:
Greg Curda
Gaffer:
David Morani
Alan Martin
Vince Goddard
Jack Collins
Dennis Brock
Steve Kitchen
Generator Operator:
Mark Joiner
Graphic Designer:
Cathe Jones
Hairstylist:
Lisa Tomblin
Carol Meikle
Key Grip:
Charles Saldaña III
Key Makeup Artist:
Nick Dudman
Jane Royle
Location Manager:
Kevin De La Noy
Gill Case
Makeup Artist:
Susan A. Cabral
Makeup Department Head:
Peter Robb-King
Makeup Supervisor:
Peter Robb-King
Matte Painter:
Paul Lasaine
Music Coordinator:
Christopher Brooks
Music Producer:
Matthias Gohl
Original Music Composer:
Elliot Goldenthal
Producer:
Gordon Carroll
Walter Hill
David Giler
Production Accountant:
Carolyn Hall
Avi Levy
Production Coordinator:
Janine Modder
Gretchen van Zeebroeck
Production Design:
Norman Reynolds
Production Supervisor:
Patricia Carr
Property Master:
John Allenby
Roto Supervisor:
Annick Therrien
Rotoscoping Artist:
Jammie Friday
Maura Alvarez
Nina Salerno
Scenic Artist:
Brian Bishop
Screenplay:
David Giler
Walter Hill
Larry Ferguson
Script Supervisor:
June Randall
Sculptor:
Janet Stevens
Roy Rodgers
Second Assistant Camera:
Clive Mackey
Nick Penn
Adam Cooper
Chyna Thomson
Second Assistant Director:
Marcia Gay
Second Unit Director:
Martin Brierley
Second Unit Director of Photography:
Nic Morris
Second Unit First Assistant Director:
Josh McLaglen
Set Decoration:
Belinda Edwards
Sound Designer:
Harry E. Snodgrass
Sound Re-Recording Mixer:
Richard Overton
Chris David
Sergio Reyes
Sound Recordist:
Robert Renga
Special Effects:
Chris Cunningham
Special Effects Makeup Artist:
Scott Oshita
Gary Bunn
Greg Cannom
Special Effects Supervisor:
George Gibbs
Special Effects Technician:
Chris Corbould
Standby Carpenter:
Laurence Burns
Standby Painter:
Antonio Caccavale
Steadicam Operator:
Kate Robinson
Still Photographer:
Bob Penn
Story:
Vincent Ward
Storyboard Artist:
Mike Swift
Brent Boates
Martin Asbury
Bill Stallion
Stunt Coordinator:
Marc Boyle
Stunts:
Paul Jennings
Mark Anthony Newman
Sean McCabe
Valentino Musetti
Nick Gillard
Rann Miner
Simon Crane
Supervising ADR Editor:
William C. Carruth
Supervising Art Director:
Fred Hole
Supervising Carpenter:
Tony Youd
Supervising Music Editor:
Craig Pettigrew
Supervising Sound Editor:
Gary S. Gerlich
Third Assistant Director:
Richard Styles
Jamie Christopher
Title Designer:
John Beach
Visual Effects Coordinator:
Julia Rivas Frey
Russ Woolnough
Visual Effects Editor:
Robert Wait
Visual Effects Producer:
Richard Edlund
Visual Effects Supervisor:
Rick Fichter
Wardrobe Assistant:
Janet Lucas-Wakely
Wardrobe Master:
Joe Hobbs
Wardrobe Supervisor:
Janet Tebrooke
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.