A work in constant progress (and occasional regress).
Release Date:
May 22, 1992
Original Title:
Alien³
Alternate Titles:
A végső megoldás: halál
Ali3n
Alien 3
Alien 3 Special Assembly Cut Edition
Alien³
Alien³ Directors Cut
Alien³: Es ist wieder da
Alien³: Special 'Assembly Cut' Edition
Quái Vật Không Gian 3
Άλιεν 3: Η Τελική Αναμέτρηση
Чужий 3
Чужой 3
एलियन ३
एलीयन ३
異形3
異形第三集
에일리언 3
Genres:
Action | Horror | Science Fiction
Production Companies:
20th Century Fox
Brandywine Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BG: D BR: 16 DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 18 HU: 18 IE: 18 IT: T KR: 15 MX: C NL: 12 NO: 18 PT: M/16 RO: 18 SE: 15 US: R
Runtime: 114
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
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ADR Editor:
Juno J. Ellis
John Morrisey
Jim Shields
Petra Bach
ADR Mixer:
Brad Brock
Peter Lacey
ADR Voice Casting:
Barbara Harris
Animation Supervisor:
Mauro Maressa
Armorer:
Simon Atherton
Art Direction:
Jim Morahan
Assistant Art Director:
Jonathan McKinstry
Assistant Costume Designer:
Graham Churchyard
Assistant Editor:
Joanna Jimenez
Tony Tromp
Assistant Sound Editor:
Ron S. Herbes
Samuel Webb
Boom Operator:
John Samworth
CG Animator:
Larry Weiss
Camera Operator:
Wally Byatt
William D. Barber
David Worley
Mike Frift
Neil Binney
Carpenter:
Laurie Kerr
Jamie White
Casting:
Billy Hopkins
Priscilla John
Casting Assistant:
Lucinda Syson
Characters:
Dan O'Bannon
Ronald Shusett
Chief Lighting Technician:
Dwight Campbell
Co-Producer:
Sigourney Weaver
Color Timer:
David Orr
Keith Parrish
Concept Artist:
Greg Pruss
Jake Scott
Construction Coordinator:
Gary A. Krakoff
Robert J. Carlyle
Construction Manager:
Bill Welch
Costume Design:
Bob Ringwood
David Perry
Creature Design:
H. R. Giger
Digital Effects Supervisor:
Jim Rygiel
Director:
David Fincher
Director of Photography:
Alex Thomson
Dolly Grip:
Colin Manning
Gary Hutchings
Tony Cridlin
Draughtsman:
Andrew Ackland-Snow
Michael Boone
Editor:
Terry Rawlings
David Crowther
Effects Supervisor:
Philip Crescenzo
Executive Producer:
Ezra Swerdlow
First Assistant Camera:
Martin Kenzie
Keith Thomas
Stefan Stankowski
First Assistant Director:
Ken Shane
Chris Carreras
Foley:
David Lee Fein
Foley Artist:
David Lee Fein
Ken Dufva
Foley Editor:
David Horton Jr.
Victoria Martin
Jerry Jacobson
Foley Mixer:
Greg Curda
Gaffer:
Alan Martin
David Morani
Jack Collins
Steve Kitchen
Dennis Brock
Vince Goddard
Generator Operator:
Mark Joiner
Graphic Designer:
Cathe Jones
Hairstylist:
Lisa Tomblin
Carol Meikle
Key Grip:
Charles Saldaña
Key Makeup Artist:
Nick Dudman
Jane Royle
Location Manager:
Kevin De La Noy
Gill Case
Makeup Artist:
Susan A. Cabral
Makeup Department Head:
Peter Robb-King
Makeup Supervisor:
Peter Robb-King
Matte Painter:
Paul Lasaine
Music Coordinator:
Christopher Brooks
Music Producer:
Matthias Gohl
Original Music Composer:
Elliot Goldenthal
Producer:
Walter Hill
Gordon Carroll
David Giler
Production Accountant:
Avi Levy
Carolyn Hall
Production Coordinator:
Janine Modder
Gretchen van Zeebroeck
Production Design:
Norman Reynolds
Production Supervisor:
Patricia Carr
Property Master:
John Allenby
Roto Supervisor:
Annick Therrien
Rotoscoping Artist:
Nina Salerno
Jammie Friday
Maura Alvarez
Scenic Artist:
Brian Bishop
Screenplay:
David Giler
Larry Ferguson
Walter Hill
Script Supervisor:
June Randall
Sculptor:
Janet Stevens
Roy Rodgers
Second Assistant Camera:
Adam Cooper
Clive Mackey
Chyna Thomson
Nick Penn
Second Assistant Director:
Marcia Gay
Second Unit Director:
Martin Brierley
Second Unit Director of Photography:
Nic Morris
Second Unit First Assistant Director:
Josh McLaglen
Set Decoration:
Belinda Edwards
Sound Designer:
Harry E. Snodgrass
Sound Re-Recording Mixer:
Sergio Reyes
Chris David
Richard Overton
Sound Recordist:
Robert Renga
Special Effects:
Chris Cunningham
Special Effects Makeup Artist:
Gary Bunn
Greg Cannom
Scott Oshita
Special Effects Supervisor:
George Gibbs
Standby Carpenter:
Laurence Burns
Standby Painter:
Antonio Caccavale
Steadicam Operator:
Peter Robinson
Still Photographer:
Bob Penn
Story:
Vincent Ward
Storyboard Artist:
Brent Boates
Mike Swift
Bill Stallion
Martin Asbury
Stunt Coordinator:
Marc Boyle
Stunts:
Rann Miner
Paul Jennings
Valentino Musetti
Nick Gillard
Simon Crane
Mark Anthony Newman
Sean McCabe
Supervising ADR Editor:
William C. Carruth
Supervising Art Director:
Fred Hole
Supervising Carpenter:
Tony Youd
Supervising Music Editor:
Craig Pettigrew
Supervising Sound Editor:
Gary S. Gerlich
Third Assistant Director:
Richard Styles
Jamie Christopher
Title Designer:
John Beach
Visual Effects Coordinator:
Russ Woolnough
Julia Frey
Visual Effects Editor:
Robert Wait
Visual Effects Producer:
Richard Edlund
Visual Effects Supervisor:
Rick Fichter
Wardrobe Assistant:
Janet Lucas-Wakely
Wardrobe Master:
Joe Hobbs
Wardrobe Supervisor:
Janet Tebrooke
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.