A work in constant progress (and occasional regress).
Alias:
Alex Thompson
Alexander Thompson
Birthplace:
London, England, UK
Born:
January 12, 1929
Died:
June 14, 2007
Alexander Thomson BSC (12 January 1929 – 14 June 2007) was a British cinematographer. Born in London, England, he was first offered a job by Bert Easey (1901-1973), who was head of cameras at Denham and Pinewood Studios. He was nominated for the Academy Award for Best Cinematography for Excalibur (1981). His other films included Year of the Dragon (1985), Legend (1985), Labyrinth (1986), The Krays (1990), Alien 3 (1992), Cliffhanger (1993), Demolition Man (1993), Executive Decision (1996) and two of Kenneth Branagh's Shakespeare adaptations, Hamlet (1996) and Love's Labour's Lost (2000). After beginning his film career in the late 1940s, he went on to serve as a camera operator under cinematographer Nicolas Roeg on twelve films between 1961 and 1966. In 1998 he shot the Royal Premiered CinemaScope short "The Troop" (dir: Marcus Dillistone) An interview with Alex Thomson appears in a new book Conversations with Cinematographers by David A Ellis, published by Scarecrow Press. Thompson was an avid user of Joe Dunton's custom-built Xtal Xpress lenses, shooting many of his more high-profile projects such as Labyrinth, Legend, The Keep, Year of the Dragon and The Sicilian with them. He was married to the sculptor Diana Thomson, and they had a daughter. Thomson died on 14 June 2007, at the age of 78, in Chertsey, Surrey.
Additional Photography:
1978 Superman
Camera Operator:
1961 Girl on Approval
1963 Dr. Crippen
1964 Nothing But the Best
1964 The Caretaker
1964 The Masque of the Red Death
1964 The System
1965 Doctor Zhivago
1965 Every Day's a Holiday
1966 A Funny Thing Happened on the Way to the Forum
1966 Fahrenheit 451
1966 Judith
1978 Superman
1993 Cliffhanger
Cinematography:
1961 Girl on Approval
1963 Dr. Crippen
1964 Nothing But the Best
1964 The Caretaker
1964 The Masque of the Red Death
1964 The System
1965 Doctor Zhivago
1965 Every Day's a Holiday
1966 A Funny Thing Happened on the Way to the Forum
1966 Fahrenheit 451
1966 Judith
1978 Superman
1993 Cliffhanger
2000 Love's Labour's Lost
Director of Photography:
1961 Girl on Approval
1963 Dr. Crippen
1964 Nothing But the Best
1964 The Caretaker
1964 The Masque of the Red Death
1964 The System
1965 Doctor Zhivago
1965 Every Day's a Holiday
1966 A Funny Thing Happened on the Way to the Forum
1966 Fahrenheit 451
1966 Judith
1968 Here We Go Round the Mulberry Bush
1968 The Strange Affair
1969 The Best House in London
1970 I Start Counting
1970 The Rise and Rise of Michael Rimmer
1971 The Road Builder
1972 Death Line
1972 Dr. Phibes Rises Again
1972 Fear Is the Key
1978 Rosie Dixon - Night Nurse
1978 Superman
1978 The Cat and the Canary
1979 The Class Of Miss MacMichael
1980 The Gold Bug
1981 Excalibur
1981 Skokie
1983 Bullshot
1983 Eureka
1983 The Keep
1984 Electric Dreams
1985 Legend
1985 Year of the Dragon
1986 Duet for One
1986 Labyrinth
1986 Raw Deal
1987 The Sicilian
1988 High Spirits
1988 Track 29
1989 Leviathan
1989 The Rachel Papers
1990 Mr. Destiny
1990 The Krays
1992 Alien³
1993 Cliffhanger
1993 Demolition Man
1994 Black Beauty
1995 The Scarlet Letter
1996 Executive Decision
1996 Hamlet
2000 A Shot at Glory
2000 Love's Labour's Lost
2003 Listening
2004 Der letzte Flug
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.