A work in constant progress (and occasional regress).
Alias:
Jason "Jake" Scott
Jason Scott
Birthplace:
London, England, UK
Born:
August 17, 1965
Jake Scott is a British film director who works primarily in the field of music videos. Most of his works were produced under the Ridley Scott Associates banner or RSA's music video subdivision Black Dog Films. He has made videos for Soundgarden, The Smashing Pumpkins, Bush, Live, Blind Melon, Tori Amos, Radiohead, Lily Allen, Oasis, The Supernaturals, The Strokes, The Verve, R.E.M., U2, and George Michael. He has also directed several feature films, including "Plunkett & MacLeane" (1999) and "Welcome to the Rileys" (2010). He is the eldest son of director and RSA owner Ridley Scott, brother of Luke Scott, and half-brother of Jordan Scott.
Concept Artist:
1992 Alien³
Director:
1992 Alien³
1994 The Smashing Pumpkins: Disarm
1998 7 Television Commercials
1998 Tori Amos: The Complete Videos 1991–1998
1999 Plunkett & MacLeane
2001 The Smashing Pumpkins - Greatest Hits Video Collection
2003 R.E.M.: In View 1988-2003 (The Best of R.E.M.)
2004 Tooth Fairy
2010 Welcome to the Rileys
2016 The Phantom
2018 American Woman
2021 Kipchoge: The Last Milestone
2021 Oasis: Knebworth 1996
???? First Ascent
???? Murder at 19,000 Feet
Executive Producer:
1992 Alien³
1994 The Smashing Pumpkins: Disarm
1998 7 Television Commercials
1998 Tori Amos: The Complete Videos 1991–1998
1999 Plunkett & MacLeane
2001 The Smashing Pumpkins - Greatest Hits Video Collection
2003 R.E.M.: In View 1988-2003 (The Best of R.E.M.)
2004 Tooth Fairy
2010 Welcome to the Rileys
2016 The Phantom
2018 American Woman
2021 Kipchoge: The Last Milestone
2021 Oasis: Knebworth 1996
2021 Undergods
???? First Ascent
???? Murder at 19,000 Feet
Director:
1997 The Hunger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.