A work in constant progress (and occasional regress).
Release Date:
September 3, 2002
Original Title:
Ten Minutes Older: The Cello
Alternate Titles:
На десять минут старше: Виолончель
Genres:
Drama | Romance | Science Fiction
Production Companies:
AtomFilms
Diablo Films
Matador Pictures
Road Movies
Why Not Productions
Production Countries:
France | Germany | United Kingdom
Ratings / Certifications:
CZ: 12+ KR: 15
Runtime: 101
Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old people with television sets for heads, a beautiful woman having sex, and overall confusion; and an old man reminiscing over his youth.
Director:
Jiří Menzel
Michael Radford
Mike Figgis
Jean-Luc Godard
Bernardo Bertolucci
Volker Schlöndorff
Claire Denis
István Szabó
Director of Photography:
Lajos Koltai
Mike Figgis
Tilman Büttner
Lucy Bristow
Kirstin McMahon
Ali Asad
Tony Chapuis
Agnès Godard
Léo Mac Dougall
Andreas Höfer
Albert Kodagolian
Danny Cohen
Julien Hirsch
Pascal Rabaud
Fabio Cianchetti
Lionel Perrin
Editor:
Peter Przygodda
Lucia Zucchetti
Emmanuelle Pencalet
Oli Weiss
Zdenek Patočka
Jacopo Quadri
Zsuzsa Csákány
Music:
Brice Leboucq
Jocelyn Pook
Producer:
Nicolas McClintock
Louis Figgis
Nigel Thomas
Karsten Brünig
Massimo Cortesi
Soledad Gatti-Pascual
Ulrich Felsberg
Production Design:
Zsuzsanna Borvendég
Screenplay:
Mike Figgis
Anne-Marie Miéville
E. Max Frye
Jiří Menzel
Bernardo Bertolucci
Michael Radford
Claire Denis
István Szabó
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.