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Jocelyn Pook (b. 1960)

Born:
February 14, 1960

Additional information:

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Film Performances

Click the heading above to show or hide the list.

Film Production

Music:
2000  The Sight
2002  Ten Minutes Older: The Cello
2002  The War in Paris
2004  Wild Side
2007  Chaotic Ana
2008  Storm Over Everest
2009  Going South
2012  Augustine
2012  Les Invisibles

Orchestrator:
2000  The Sight
2002  Ten Minutes Older: The Cello
2002  The War in Paris
2004  Wild Side
2007  Chaotic Ana
2008  Storm Over Everest
2009  Going South
2012  Augustine
2012  Les Invisibles
2018  The Wife

Original Music Composer:
1996  Blight
1999  Eyes Wide Shut
2000  Nasty Neighbours
2000  The Sight
2001  How I Killed My Father
2001  Time Out
2002  Ten Minutes Older: The Cello
2002  The Repentant
2002  The War in Paris
2004  The Merchant of Venice
2004  The Returned
2004  Wild Side
2005  Heidi
2007  Brick Lane
2007  Chaotic Ana
2008  Storm Over Everest
2009  Going South
2010  Room in Rome
2012  Augustine
2012  Les Invisibles
2017  King Charles III
2018  The Wife
2019  The Kingmaker
2023  Tin & Tina

Click the heading above to show or hide the list.

TV Production

Music:
1983  Frontline

Original Music Composer:
1983  Frontline
2022  The King’s Favorite

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.