A work in constant progress (and occasional regress).
Birthplace:
Oregon, USA
From Wikipedia, the free encyclopedia. Eric Max Frye, is an American screenwriter from Oregon. His mother was Helen J. Frye, a federal judge. Born in Oregon and raised in Eugene, Eric directed and wrote the film Amos & Andrew. He attended Lewis & Clark College in Portland for one year before moving to Europe where he lived in Paris and worked as a male model in Austria. After returning to the United States, Frye settled in New York City where he attended New York University Film School. He wrote the script to Something Wild, and was one of the writers for the HBO mini-series Band of Brothers. In addition to his credited roles, Frye appeared uncredited in a brief black-and-white cut-scene in the music video for Bizarre Love Triangle by the British group New Order, directed by American artist Robert Longo, in which he argues with Jodi Long (where he peacefully replies "You know, you're a real 'up' person."). Description above from the Wikipedia article E. Max Frye, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1993 Amos & Andrew
Screenplay:
1993 Amos & Andrew
1998 Palmetto
2000 Where the Money Is
2002 Ten Minutes Older: The Cello
???? Gilded Rage
Script Consultant:
1993 Amos & Andrew
1998 Palmetto
2000 Where the Money Is
2002 Ten Minutes Older: The Cello
2003 Dogville
???? Gilded Rage
Story:
1993 Amos & Andrew
1998 Palmetto
2000 Where the Money Is
2002 Ten Minutes Older: The Cello
2003 Dogville
???? Gilded Rage
Writer:
1986 Something Wild
1987 Arena Brains
1993 Amos & Andrew
1998 Palmetto
2000 Where the Money Is
2002 Ten Minutes Older: The Cello
2003 Dogville
2003 Second Nature
2014 Foxcatcher
???? Gilded Rage
Executive Producer:
2018 The Alienist
Teleplay:
2018 The Alienist
Writer:
2001 Band of Brothers
2018 The Alienist
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.