A work in constant progress (and occasional regress).
Alias:
Ji-yong Kim
Kim Jee-yong
김지용
Birthplace:
South Korea
Born:
February 21, 1976
Kim Ji-yong is a Korean cinematographer, known for frequent collaborations with director Kim Jee-woon, including A Bittersweet Life (2005), The Last Stand (2013), and The Age of Shadows (2016).
"B" Camera Operator:
2017 Okja
Camera Operator:
2011 Hindsight
2013 Cold Eyes
2014 Genome Hazard
2016 Worst Woman
2017 Okja
Director:
2011 Hindsight
2013 Cold Eyes
2014 Genome Hazard
2016 Worst Woman
2017 Okja
2021 Ground Zero
Director of Photography:
2005 A Bittersweet Life
2006 Forbidden Quest
2007 Hansel & Gretel
2009 Marine Boy
2010 The Influence
2011 Hindsight
2011 Silenced
2012 Doomsday Book
2013 Cold Eyes
2013 Hwayi: A Monster Boy
2013 The Last Stand
2014 Genome Hazard
2014 Miss Granny
2014 The Royal Tailor
2015 The Advocate: A Missing Body
2016 The Age of Shadows
2016 Worst Woman
2017 A Day
2017 Okja
2017 The Fortress
2017 The Table
2018 Swing Kids
2019 Ashfall
2020 Live Your Strength
2020 The Nightmare
2021 Ground Zero
2022 Decision to Leave
2023 Cobweb
Writer:
2005 A Bittersweet Life
2006 Forbidden Quest
2007 Hansel & Gretel
2009 Marine Boy
2010 The Influence
2011 Hindsight
2011 Silenced
2012 Doomsday Book
2013 Cold Eyes
2013 Hwayi: A Monster Boy
2013 The Last Stand
2014 Genome Hazard
2014 Miss Granny
2014 The Royal Tailor
2015 The Advocate: A Missing Body
2016 The Age of Shadows
2016 Worst Woman
2017 A Day
2017 Okja
2017 The Fortress
2017 The Table
2018 Swing Kids
2019 Ashfall
2020 Live Your Strength
2020 The Nightmare
2021 Ground Zero
2022 Decision to Leave
2023 Cobweb
Director of Photography:
2019 Persona
2021 Squid Game
2022 Connect
2024 The Sympathizer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.