A work in constant progress (and occasional regress).
Release Date:
October 18, 2013
Original Title:
12 Years a Slave
Alternate Titles:
12 Anos de Escravidão
12 Años de Esclavitud
12 años de esclavitud
12 illik Əsarət
12 let v řetězech
12 години в робство
Esclave pendant douze ans
دوازده سال بردگی
それでも夜は明ける
为奴12年
被奪走的十二年
노예 12년
Genres:
Drama | History
Production Companies:
Film4 Productions
New Regency Pictures
Plan B Entertainment
Regency Enterprises
River Road Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 14 CA: 14A CH: 16 DE: 12 DK: 15 ES: 16 FI: K-16 FR: 16 GB: 15 GR: Κ-15 HK: IIB HU: 16 IE: 15A IT: T JP: PG12 KR: 15 MX: C NL: 18|16|12 NO: 15 PL: 16 PT: M/16 RO: 15 RU: 16+ SE: 15 SK: 15 TH: R UA: 16+ US: R
Runtime: 134
In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.
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Ager/Dyer:
Scott T. Coppock
Art Department Coordinator:
Carl Counts
Art Direction:
David Stein
Assistant Costume Designer:
Patrick Wiley
Assistant Director:
Doug Torres
Best Boy Electric:
Erskin Mitchell
Best Boy Grip:
Lee McLemore
Boom Operator:
Robert Jackson
Camera Operator:
Sean Bobbitt
Casting:
Francine Maisler
Meagan Lewis
Color Timer:
Dave Pultz
Construction Coordinator:
David Rotondo
Costume Design:
Patricia Norris
Costume Supervisor:
Andree Fortier
Costumer:
Megan Richardson
Julie Ebel
Shonta T. McCray
Dialect Coach:
Michael Buster
Dialogue Editor:
Henry Auerbach
Director:
Steve McQueen
Director of Photography:
Sean Bobbitt
Dolby Consultant:
Bryan Arenas
Dolly Grip:
Joe Cassano
Editor:
Joe Walker
Electrician:
Chris Flowers
Byron Marigny
Scott Morrison
Executive Producer:
Tessa Ross
John Ridley
Foley:
Ellen Heuer
Gaffer:
Mike McLaughlin
Bob Bates
Generator Operator:
Mike 'Chewie' Pappas
Hair Department Head:
Adruitha Lee
Hairstylist:
Yolanda Mercadel
Betty Hamnac
Key Costumer:
Aaron P. Mastin
Key Grip:
T. Nick Leon
Key Hair Stylist:
Amy Wood
Key Makeup Artist:
Nick London
Key Rigging Grip:
Franklin Jones II
Key Set Costumer:
Dena Matranga
Leadman:
Michael A. Johnson
Location Manager:
M. Gerard Sellers
Makeup & Hair:
Nana Fischer
Jean Ann Black
Makeup Artist:
Nikki I Brown
Denise Pugh-Ruiz
Brian Waltsak
Makeup Department Head:
Ma Kalaadevi Ananda
Music Editor:
Katrina Schiller
Catherine Wilson
Novel:
Solomon Northup
Original Music Composer:
Hans Zimmer
Post Production Supervisor:
Eric Bergman
Producer:
Jeremy Kleiner
Anthony Katagas
Brad Pitt
Steve McQueen
Dede Gardner
Arnon Milchan
Bill Pohlad
Bianca Stigter
Production Design:
Adam Stockhausen
Production Supervisor:
Alissa M. Kantrow
Property Master:
Michael S. Martin
Rigging Gaffer:
Vic Keatley
Rigging Grip:
Eric DePoorter
Scenic Artist:
Taylor Weeks
Jude Erny
Screenplay:
John Ridley
Script Supervisor:
Eva Z. Cabrera
Set Costumer:
Dena Matranga
Set Decoration:
Alice Baker
Set Designer:
Matthew Gatlin
Carl Sprague
Walter Schneider
Jim Wallis
Songs:
Nicholas Britell
Sound Designer:
Leslie Shatz
Special Effects Coordinator:
David Nash
Steadicam Operator:
Larry McConkey
Andy Shuttleworth
Still Photographer:
Jaap Buitendijk
François Duhamel
Stunt Coordinator:
Lex D. Geddings
Steven Ritzi
Supervising Sound Editor:
Ryan Collins
Robert Jackson
Tailor:
Jade Brandt
Brandon P. Watson
Transportation Coordinator:
Poland Perkins
Unit Publicist:
Spooky Stevens
Visual Effects Coordinator:
Elbert Irving IV
Visual Effects Producer:
Lauren Ritchie
Jason Sanford
Visual Effects Supervisor:
Dottie Starling
Tim LeDoux
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.