A work in constant progress (and occasional regress).
Birthplace:
UK
Joe Walker is a British film editor who has worked in both England and Los Angeles. In 2022, he won the Academy Award for Best Film Editing for his work on Dune, having been nominated twice before for 12 Years a Slave and Arrival. For the American Cinema Editors Award for Best Edited Feature Film—Dramatic, he has received a string of six nominations, and in 2016 he won for Arrival. He has received five nominations for a BAFTA Film Award for Best Editing. He took the European Film Award for Best Editor for Shame in 2012 and the Satellite Award for Best Editing for Sicario in 2016. Description above from the Wikipedia article Joe Walker (film editor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Editor:
2001 Sword of Honour
2002 Fields of Gold
2005 Mr Harvey Lights a Candle
2007 Grow Your Own
2008 Hunger
2008 Slapper
2008 The Escapist
2009 Harry Brown
2010 Brighton Rock
2011 Life in a Day
2011 Shame
2013 12 Years a Slave
2013 Last Passenger
2014 Ashes
2015 Blackhat
2015 Sicario
2016 Arrival
2017 Blade Runner 2049
2018 Widows
2021 Dune
2021 The Unforgivable
2023 The Creator
2024 Dune: Part Two
Sound Editor:
1992 An Ungentlemanly Act
1993 The Hour of the Pig
2001 Sword of Honour
2002 Fields of Gold
2005 Mr Harvey Lights a Candle
2007 Grow Your Own
2008 Hunger
2008 Slapper
2008 The Escapist
2009 Harry Brown
2010 Brighton Rock
2011 Life in a Day
2011 Shame
2013 12 Years a Slave
2013 Last Passenger
2014 Ashes
2015 Blackhat
2015 Sicario
2016 Arrival
2017 Blade Runner 2049
2018 Widows
2021 Dune
2021 The Unforgivable
2023 The Creator
2024 Dune: Part Two
Editor:
2002 Doctor Zhivago
2006 The Virgin Queen
2008 The Devil's Whore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.