A work in constant progress (and occasional regress).
Alias:
Tom E. Proctor
Tom's ability to deliver a powerful performance is not affected, but rather drawn from his real life experience. He grew up in the remote, unpopulated canyons of the Rocky Mountains doing things most of us only see in movies, like riding horses, breaking wild mustangs, driving cattle and training wild animals. He became a sponsored motorcycle racer and a world champion MMA fighter. He traveled the world in the occupation of bodyguard and "executive protection". But Tom's life-long dream was always set on becoming a filmmaker, and he made that dream come true and he figured out how to bridge the gap between reality and film by seeing the world through a camera lens: as grip, gaffer, camera operator, second unit director, director of photography, producer and director. His physical power, strength, agility and coordination are legendary, and his stunt resume impressive. His commitment to acting training led Tom to immerse himself in classes, workshops, private coaching, linguistics, improvisation, comedy, and Meisner techniques. [from IMDB]
Director:
2007 Riverdead
2013 Knife to a Gunfight
???? They Know
Producer:
2007 Riverdead
2009 Bounty
2013 Knife to a Gunfight
2017 Finding Eden
???? They Know
Stunt Coordinator:
2007 Riverdead
2009 Bounty
2012 Black November
2012 Heathens and Thieves
2013 Knife to a Gunfight
2017 Finding Eden
???? They Know
Stunts:
1998 SLC Punk
2007 Riverdead
2008 Donut Shop Hero
2009 Bounty
2012 Black November
2012 Heathens and Thieves
2012 Looper
2013 Escape Plan
2013 Knife to a Gunfight
2017 Finding Eden
???? They Know
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.