A work in constant progress (and occasional regress).
Release Date:
June 16, 2022
Original Title:
Good Luck to You, Leo Grande
Alternate Titles:
Boa Sorte, Leo Grande
Kaikkea hyvää, Leo Grande
Meine Stunden mit Leo
Mes rendez-vous avec Leo
Powodzenia, Leo Grande
Кохання за викликом
Любовь по вызову
Удачи тебе, Лео Гранде
Успех, Лио Гранд!
祝你好运,里奥·格兰德
Genres:
Drama | Romance
Production Companies:
Align
Cornerstone Films
Genesius Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
AU: M BR: 16 CH: 12 DE: 12 DK: 15 ES: 16 FI: K-12 GB: 15 GR: K15 IE: 16 KR: 18 NL: 12 NZ: M PL: 18 PT: M/14 SG: R21 US: R
Runtime: 97
Nancy Stokes, a retired schoolteacher, is pretty sure she has never had good sex. Now that her husband has died, she is determined to take a tour of sexual vistas that until now she has only imagined. She even has a plan; it involves an anonymous hotel room, and a sex worker who calls himself Leo Grande.
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Art Direction:
Simon Walker
Assistant Accountant:
Lucille Tipple
Associate Producer:
Sam Cornish
Casting Director:
Amy Hubbard
Costume Designer:
Sian Jenkins
Costume Supervisor:
Carrie Wallbank
Creator:
Katy Brand
Director:
Sophie Hyde
Director of Photography:
Bryan Mason
Editor:
Bryan Mason
Executive Producer:
Katy Brand
Mark Gooder
Alison Thompson
Julian Gleek
Martin Metz
Nessa McGill
Nadia Khamlichi
Sophie Hyde
First Assistant Director:
Malinda Kaur
Foley Artist:
Jason Swanscott
Hairstylist:
Julie Dartnell
Lighting Design:
Freddie Bonfanti
Line Producer:
Kelly Duffell
Makeup & Hair:
Katie Finch
Naomi Donne
Christabel Franklin
Makeup Artist:
Julie Dartnell
Original Music Composer:
Stephen Rennicks
Producer:
Debbie Gray
Adrian Politowski
Production Accountant:
Pamela Holt
Production Design:
Miren Marañón
Production Designer:
Miren Marañón
Screenplay:
Katy Brand
Set Decoration:
Fiona Albrow
Sound Designer:
Steve Fanagan
Sound Effects Editor:
Adrian Medhurst
Sound Re-Recording Mixer:
Adrian Medhurst
Sound Recordist:
Jonathan Blagrove
Standby Art Director:
Ellie Jones
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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