A work in constant progress (and occasional regress).
"B" Camera Operator:
2009 Broken Hill
Director:
2009 Broken Hill
2011 Life in Movement
Director of Photography:
2007 My Last Ten Hours with You
2009 Broken Hill
2011 Boys On Film 6: Pacific Rim
2011 Life in Movement
2014 52 Tuesdays
2017 A Field Guide to Being a 12-Year-Old Girl
2017 Fucking Adelaide
2019 Animals
2020 System Error
2022 Good Luck to You, Leo Grande
Editor:
2007 My Last Ten Hours with You
2009 Broken Hill
2009 My Tehran for Sale
2011 Boys On Film 6: Pacific Rim
2011 Life in Movement
2014 52 Tuesdays
2015 My Best Friend Is Stuck on the Ceiling
2015 Upside Down Feeling
2016 Embrace
2017 A Field Guide to Being a 12-Year-Old Girl
2017 Fucking Adelaide
2019 Animals
2019 In My Blood It Runs
2020 System Error
2022 Good Luck to You, Leo Grande
2022 The Dreamlife of Georgie Stone
2023 The Defenders
Music Editor:
2007 My Last Ten Hours with You
2009 Broken Hill
2009 My Tehran for Sale
2011 Boys On Film 6: Pacific Rim
2011 Life in Movement
2014 52 Tuesdays
2015 My Best Friend Is Stuck on the Ceiling
2015 Upside Down Feeling
2016 Embrace
2017 A Field Guide to Being a 12-Year-Old Girl
2017 Fucking Adelaide
2019 Animals
2019 In My Blood It Runs
2020 System Error
2022 Good Luck to You, Leo Grande
2022 The Dreamlife of Georgie Stone
2023 The Defenders
Producer:
2007 My Last Ten Hours with You
2009 Broken Hill
2009 My Tehran for Sale
2011 Boys On Film 6: Pacific Rim
2011 Life in Movement
2014 52 Tuesdays
2015 My Best Friend Is Stuck on the Ceiling
2015 Upside Down Feeling
2016 Embrace
2017 A Field Guide to Being a 12-Year-Old Girl
2017 Fucking Adelaide
2019 Animals
2019 In My Blood It Runs
2020 System Error
2022 Good Luck to You, Leo Grande
2022 The Dreamlife of Georgie Stone
2023 The Defenders
2025 Jimpa
Sound Editor:
2007 My Last Ten Hours with You
2009 Broken Hill
2009 My Tehran for Sale
2011 Boys On Film 6: Pacific Rim
2011 Life in Movement
2014 52 Tuesdays
2015 My Best Friend Is Stuck on the Ceiling
2015 Upside Down Feeling
2016 Embrace
2017 A Field Guide to Being a 12-Year-Old Girl
2017 Fucking Adelaide
2019 Animals
2019 In My Blood It Runs
2020 System Error
2022 Good Luck to You, Leo Grande
2022 The Dreamlife of Georgie Stone
2023 The Defenders
2025 Jimpa
Writer:
2007 My Last Ten Hours with You
2009 Broken Hill
2009 My Tehran for Sale
2011 Boys On Film 6: Pacific Rim
2011 Life in Movement
2014 52 Tuesdays
2015 My Best Friend Is Stuck on the Ceiling
2015 Upside Down Feeling
2016 Embrace
2017 A Field Guide to Being a 12-Year-Old Girl
2017 Fucking Adelaide
2019 Animals
2019 In My Blood It Runs
2020 System Error
2022 Good Luck to You, Leo Grande
2022 The Dreamlife of Georgie Stone
2023 The Defenders
2025 Jimpa
Director of Photography:
2018 F*!#ing Adelaide
Editor:
2018 F*!#ing Adelaide
2019 The Hunting
Producer:
2018 F*!#ing Adelaide
2019 The Hunting
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.