A work in constant progress (and occasional regress).
ADR Recordist:
2013 In Secret
Mix Technician:
2012 Niko 2: Little Brother, Big Trouble
2013 In Secret
Sound Designer:
2012 Niko 2: Little Brother, Big Trouble
2012 The Pervert's Guide to Ideology
2013 In Secret
2013 Missing Green
2014 Frank
2015 Identicals
2015 Ooops! Noah Is Gone...
2015 Queen & Country
2015 Room
2015 The Hallow
2017 Tomato Red
2018 The Farthest
2018 The Little Stranger
2020 Radioactive
2021 Swan Song
2022 Good Luck to You, Leo Grande
2022 The Quiet Girl
2023 How to Have Sex
2023 Marlowe
2023 So This Is Christmas
2023 Yellow Belt
Sound Re-Recording Mixer:
2012 Niko 2: Little Brother, Big Trouble
2012 Stitches
2012 The Pervert's Guide to Ideology
2013 In Secret
2013 Missing Green
2013 The Last Days on Mars
2013 The Sea
2014 Frank
2014 Miss Julie
2015 Identicals
2015 Ooops! Noah Is Gone...
2015 Queen & Country
2015 Room
2015 The Hallow
2017 Tomato Red
2018 The Farthest
2018 The Little Stranger
2020 Radioactive
2021 Swan Song
2022 Good Luck to You, Leo Grande
2022 The Quiet Girl
2023 How to Have Sex
2023 Marlowe
2023 So This Is Christmas
2023 Yellow Belt
Supervising Sound Editor:
2010 Jimmy Murakami: Non-Alien
2012 Niko 2: Little Brother, Big Trouble
2012 Stitches
2012 The Pervert's Guide to Ideology
2013 In Secret
2013 Missing Green
2013 The Last Days on Mars
2013 The Sea
2014 Frank
2014 Miss Julie
2015 Identicals
2015 Ooops! Noah Is Gone...
2015 Queen & Country
2015 Room
2015 The Hallow
2017 Tomato Red
2018 The Farthest
2018 The Little Stranger
2020 Radioactive
2021 Swan Song
2022 Good Luck to You, Leo Grande
2022 The Quiet Girl
2023 How to Have Sex
2023 Marlowe
2023 So This Is Christmas
2023 Yellow Belt
Sound Designer:
2020 Normal People
Sound Re-Recording Mixer:
2020 Normal People
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.