A work in constant progress (and occasional regress).
Release Date:
December 6, 2024
Original Title:
Nightbitch
Alternate Titles:
כלבת לילה
נייטביץ'
狂母夜
Genres:
Comedy | Horror
Production Companies:
Annapurna Pictures
Archer Gray
Bond Group Entertainment
Defiant By Nature
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AT: 12 AU: MA 15+ BE: 16 BG: D BR: 16 CA: R CH: 12 DE: 12 ES: 16 FI: K-16 FR: 16 GB: 15 HU: 16 IE: 15A|16 IL: 16 JP: R15+ KR: 15 LT: N-16 LU: 16 LV: 16+ MX: B-15 NL: 12 NZ: M PL: 16 PR: R PT: M/16 SG: M18 TR: 18+ TW: 15+ US: R VI: R
Runtime: 98
A woman, thrown into the stay-at-home routine of raising a toddler in the suburbs, slowly embraces the feral power deeply rooted in motherhood, as she becomes increasingly aware of the bizarre and undeniable signs that she may be turning into a dog.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Ben Verhulst
"B" Camera Operator:
Amanda Treyz
Actor's Assistant:
Eve Banahan
Animal Coordinator:
Bettina Browne Weld
Animal Wrangler:
Amy Borowski
Jaimie Councilor
Adriana Echeverria
Rachael Greenstone
Celine Shibata
Art Department Assistant:
William M. Lynch
Art Department Coordinator:
Michael LaCorte
Art Department Production Assistant:
Rachel Chan
Art Direction:
Samantha Englender
Assistant Art Director:
AJ Cisneros
Assistant Costume Designer:
Emmanuelle Martin
Assistant Director:
Mari Kempes
Jessica Pohly
Raina Seyd
Assistant Location Manager:
Lexington Graham
Kevin Lane Hummel
Assistant Production Coordinator:
Christopher Mulhern
John Steckert
Assistant Property Master:
Rachel Nowik
Derek Bensonhaver
Christine Nelson
Best Boy Electric:
Stephanie Choi
Best Boy Grip:
Joe Hernandez
Boom Operator:
Jason Benjamin
Camera Loader:
K.C. Lauf
Casting:
Douglas Aibel
Casting Associate:
Deborah Maxwell Dion
Matthew Glasner
Co-Producer:
Kathleen Clifford
Construction Coordinator:
Luis F. Aguilar
Construction Foreman:
Rodney Walton
Costume Coordinator:
Anna Lloyd-Jones
Costume Design:
Arjun Bhasin
Costume Supervisor:
Valerie Laven-Cooper
Costumer:
Kim Shek
Robert Andrade
Digital Imaging Technician:
Tim Nagasawa
Director:
Marielle Heller
Director of Photography:
Brandon Trost
Dolly Grip:
Jason Gary
David C. Terry
Editor:
Anne McCabe
Executive Producer:
Rachel Yoder
Megan Ellison
Adam Paulsen
Allison Rose Carter
Sammy Scher
Havilah Brewster
Executive Producer's Assistant:
Raina Seyd
Olivia Isebel Comas Wood
Executive Visual Effects Producer:
Billy Becket
Chris Spry
First Assistant "A" Camera:
Kingslea Bueltel
First Assistant "B" Camera:
Jon Lindsay
First Assistant Accountant:
Erin Amos
First Assistant Director:
Jonas Spaccarotelli
First Assistant Editor:
Corey Johnsen
Foley Artist:
Leslie Bloome
Gaffer:
Justin Garcia
Graphic Designer:
Adee Serrao
Grip:
Sean Blair
Nicholas Brazzill
Mason Cartaya
Victor Cruz
Daisy Emminger
Steven Escoboza
Eric Fowler
Yaxkin Garcia Hernandez
Derick Holub
Daniel Kusenda
Hair Department Head:
Laine Trzinski
Hairstylist:
Adrianne Lashley
Key Grip:
Jonathan Coyne
Key Hair Stylist:
Lotus Seki
Key Makeup Artist:
Alexis Williams
Lead Set Dresser:
Jefferson Murff
Lighting Programmer:
Patrick Mattes
Lighting Technician:
Owen Jones
Blaine Munro
Jeffrey Taylor
Harper Thomas
Megan Baker
Location Manager:
Matthew S. Stevens
Location Scout:
Tony Nawrocki
Makeup Artist:
Robin Glaser
Makeup Department Head:
Jorjee Douglass
Music Supervisor:
Howard Paar
Novel:
Rachel Yoder
On Set Dresser:
Lauren 'Ron' Penizotto
Original Music Composer:
Nate Heller
Playback Coordinator:
Zachary Sniderman
Post Production Accountant:
Keri Weisblum
Post Production Supervisor:
Kelley Cribben
Producer:
Marielle Heller
Anne Carey
Christina Oh
Sue Naegle
Amy Adams
Stacy O'Neil
Producer's Assistant:
Lizzie Racklin
Karen Garner
Production Assistant:
Dean Battelene
Isaac Moody
Christian Obando
Production Controller:
Mark Amos
Production Coordinator:
Kelly D. Nass
Joanne Oboyski
Production Design:
Karen Murphy
Production Sound Mixer:
Anthony Ortiz
Production Supervisor:
Adam Wyatt Tate
Property Master:
Guillaume DeLouche
Prosthetic Makeup Artist:
Thomas Floutz
Rigging Gaffer:
Jake Kaster
Rigging Grip:
Thomas Abbene
Louis Gonzalez
Script Supervisor:
Sharron Reynolds-Enriquez
Second Assistant "A" Camera:
Neo Arboleda
Second Assistant "B" Camera:
Tim Bauer
Second Assistant Accountant:
Dan Rose
Stefanie Swanson
Second Assistant Director:
Brendan Lee
Second Second Assistant Director:
Jeremy Silveira
Set Costumer:
Rebecca Leigh Adams
Victoria Inez Rivera
Set Decorating Coordinator:
Amina Allean Dieye
Set Decoration:
Ryan Watson
Set Decoration Buyer:
Sally Baxter
Penelope Franco Gilmore
Set Designer:
Brian Grego
Set Dresser:
Armando Alvarado
Antonio Andraus
Keara Birmingham
David L. Bush
Scott Edward Collins
Chad Davis
Paul Duchemin
Joe Genna
Ted Gilmore
Anne-Marie Hamill
Nick Lopez
David Mitchell
Christian Moreno
Jaxon Murff
Hugh Pritchard
Set Medic:
Toby Hale
Mandy Martin
Miguel Rodriguez
Elizabeth Roessler
Deena Swendah
Set Production Assistant:
JoAnn DiBuono
Dana Nelson
Karly Perez
Fred Schuyler
Nick Schwartz
Lauren Verhage
Special Effects:
Roy Goode
Special Effects Coordinator:
Ron Trost
Standby Painter:
Guy Cohen
Steadicam Operator:
Ben Verhulst
Still Photographer:
Anne Marie Fox
Studio Teacher:
Laura Galinson
Stunt Coordinator:
Timothy Eulich
Stunts:
Dan Brown
Whitney Coleman
Jaimie Councilor
Jared De Witt
Jess King
Taylor Krasne
Curtis Lyons
Chris Palermo
Sera Trimble
Transportation Captain:
John Bojorquez
Transportation Coordinator:
David Christenson
Unit Production Manager:
Joel Henry
Unit Publicist:
Spooky Stevens
Utility Sound:
Nick Ronzio
Video Assist Operator:
Anthony Perkins
Visual Effects Producer:
Jessica Harrison
Writer:
Marielle Heller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.