Amanda Treyz

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Amanda Treyz is an award-winning cinematographer whose films have screened at major international festivals including Sundance, SXSW, Locarno, BFI London and Los Angeles. Her work has won an ASC Heritage Award, a Student Emmy, audience awards at Aspen and Palm Springs, and twice been a finalist for the Student Academy Awards. Her films have been featured on Short of the Week, Vimeo Staff Picks and viewed over half a million times. She has shot over 15 feature films, as well as numerous shorts & music videos. Amanda is an alumnus of AFI’s MFA Cinematography Program and Brown University. She is currently based in Los Angeles.

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"B" Camera Operator:
2014  The Mundane Goddess

"C" Camera Operator:
2014  The Mundane Goddess
2019  Extremely Wicked, Shockingly Evil and Vile

Additional Camera:
2014  The Mundane Goddess
2018  Duck Butter
2019  Extremely Wicked, Shockingly Evil and Vile

Camera Operator:
2014  The Mundane Goddess
2016  Pandemic
2018  Duck Butter
2019  Extremely Wicked, Shockingly Evil and Vile

Cinematography:
2014  The Mundane Goddess
2016  Pandemic
2016  Pocket Listing
2017  Armstrong
2018  Duck Butter
2018  New Money
2019  Extremely Wicked, Shockingly Evil and Vile

Director of Photography:
2009  Acholiland
2011  All Superheroes Must Die
2011  ChromeSkull: Laid to Rest 2
2011  Eating Out: The Open Weekend
2013  Welcome to Willits: After Sundown
2014  Eat With Me
2014  Holy Ghost People
2014  The Mundane Goddess
2014  Zoe Gone
2015  Anguish
2015  Gravy
2016  A Beginner's Guide to Snuff
2016  Pandemic
2016  Pocket Listing
2017  Armstrong
2018  Duck Butter
2018  Flesh & Blood
2018  New Money
2019  Extremely Wicked, Shockingly Evil and Vile
2019  Rehearsal
2019  Trick
2020  Life on Mars
2022  The Royal
????  Act Super Naturally

Electrician:
2007  Borderland
2009  Acholiland
2011  All Superheroes Must Die
2011  ChromeSkull: Laid to Rest 2
2011  Eating Out: The Open Weekend
2013  Welcome to Willits: After Sundown
2014  Eat With Me
2014  Holy Ghost People
2014  The Mundane Goddess
2014  Zoe Gone
2015  Anguish
2015  Gravy
2016  A Beginner's Guide to Snuff
2016  Pandemic
2016  Pocket Listing
2017  Armstrong
2018  Duck Butter
2018  Flesh & Blood
2018  New Money
2019  Extremely Wicked, Shockingly Evil and Vile
2019  Rehearsal
2019  Trick
2020  Life on Mars
2022  The Royal
????  Act Super Naturally

Director of Photography:
2016  Single by 30
2019  All Rise

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.