Megan Ellison (b. 1986)

Alias:
Margaret Elizabeth Ellison
Margaret Ellison

Birthplace:
Santa Clara County, California, USA

Born:
January 31, 1986

Megan Ellison is an American film producer and founder of Annapurna Pictures, established in 2011. She is best known for producing the films Zero Dark Thirty, Her, American Hustle, and Phantom Thread, all of which have earned her Oscar nominations.  Born: January 31, 1986

Additional information:

The Search Form


Executive Producer:
2010  True Grit
2012  Killing Them Softly
2013  Spring Breakers
2013  The Grandmaster
2015  Terminator Genisys
2017  Downsizing
2018  If Beale Street Could Talk
2018  The Sisters Brothers
2018  Vice
2019  Hustlers
2019  Where'd You Go, Bernadette
2019  Wounds
2020  Dick Johnson Is Dead
2020  Kajillionaire
2021  Beat the Devil
2021  House of Gucci
2022  On the Count of Three
2022  She Said
2023  Nimona
2024  Nightbitch
????  I Love Boosters

Producer:
2010  True Grit
2011  Catch.44
2011  Passion Play
2011  Waking Madison
2012  Killing Them Softly
2012  Lawless
2012  The Master
2012  Zero Dark Thirty
2013  American Hustle
2013  Her
2013  Spring Breakers
2013  The Grandmaster
2014  Foxcatcher
2014  Last Days
2015  Joy
2015  Terminator Genisys
2016  20th Century Women
2016  Everybody Wants Some!!
2016  Sausage Party
2016  Wiener-Dog
2017  Detroit
2017  Downsizing
2017  Phantom Thread
2017  The Bad Batch
2018  If Beale Street Could Talk
2018  The Ballad of Buster Scruggs
2018  The Sisters Brothers
2018  Vice
2019  Booksmart
2019  Hustlers
2019  National Theatre Live: Fleabag
2019  Where'd You Go, Bernadette
2019  Wounds
2020  Dick Johnson Is Dead
2020  Kajillionaire
2021  Beat the Devil
2021  House of Gucci
2022  On the Count of Three
2022  She Said
2023  Landscape with Invisible Hand
2023  Nimona
2024  Nightbitch
????  A Christmas Carol
????  A House in the Sky
????  I Love Boosters
????  The Seven Five
????  The Silent Patient
????  Untitled Richard Linklater John Brinkley Project

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.