A work in constant progress (and occasional regress).
Trained by the popular program Course destination monde at the end of the 1990s, Danic Champoux has since multiplied projects in the cinema (Séances, Autoportrait sans moi) and on television (Mon amour, ma prison). Marked by the heritage of cinema-vérité, and in particular by the work of documentary filmmaker Pierre Perrault, he co-directed La fille du cratère with Nadine Beaudet, on the journey of a mythical couple who changed the history of Quebec cinema.
Additional Sound Re-Recordist:
2019 Daughter of the Crater
Director:
2000 Mon père
2000 My Father
2008 La couleur du temps
2014 Self(less) Portrait
2015 Conte du Centre Sud
2015 Ça fait 20 ans
2016 Cris sur le bayou
2017 Arbitres
2018 Mal élevé
2018 Mon amour, ma prison
2019 Daughter of the Crater
2020 CHSLD, mon amour
???? Séances
Screenplay:
2000 Mon père
2000 My Father
2008 La couleur du temps
2014 Self(less) Portrait
2015 Conte du Centre Sud
2015 Ça fait 20 ans
2016 Cris sur le bayou
2017 Arbitres
2018 Mal élevé
2018 Mon amour, ma prison
2019 Daughter of the Crater
2020 CHSLD, mon amour
???? Séances
Script:
2000 Mon père
2000 My Father
2008 La couleur du temps
2014 Self(less) Portrait
2015 Conte du Centre Sud
2015 Ça fait 20 ans
2016 Cris sur le bayou
2017 Arbitres
2018 Mal élevé
2018 Mon amour, ma prison
2019 Daughter of the Crater
2020 CHSLD, mon amour
???? Séances
Writer:
2000 Mon père
2000 My Father
2008 La couleur du temps
2014 Self(less) Portrait
2015 Conte du Centre Sud
2015 Ça fait 20 ans
2016 Cris sur le bayou
2017 Arbitres
2018 Mal élevé
2018 Mon amour, ma prison
2019 Daughter of the Crater
2020 CHSLD, mon amour
???? Séances
Director:
2020 Fragments, histoires à partager
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.