A work in constant progress (and occasional regress).
Release Date:
July 26, 2020
Original Title:
An American Pickle
Alternate Titles:
Encurtido en el tiempo
In a Pickle
Untitled Pickle Comedy
Американска туршия
Genres:
Comedy | Drama
Production Companies:
Gravitational Productions
Point Grey Pictures
Sony Pictures
Warner Max
Production Countries:
United States of America
Ratings / Certifications:
AU: PG DE: 12 FR: U GB: 12A NZ: PG US: PG-13
Runtime: 89
An immigrant worker at a pickle factory is accidentally preserved for 100 years and wakes up in modern day Brooklyn. He learns his only surviving relative is his great grandson, a computer coder who he can’t connect with.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Michael Fuchs
"B" Camera Operator:
Brian Outland
ADR Mixer:
Jason Oliver
Aaron Hasson
James A. Moore
Mike Greenberg
ADR Voice Casting:
Wendy Hoffmann
Ranjani Brow
Ashley Lambert
Art Department Coordinator:
Joel Cash
Art Direction:
Gary Kosko
Assistant Art Director:
Ella Thompson
Assistant Chief Lighting Technician:
Matt Feiler
Assistant Editor:
Jesse Millward
Chris Dold
Assistant Location Manager:
Jason Calabro
Larry Geyer
James A. Mahathey
Assistant Production Coordinator:
Lisa Smith-Reed
Assistant Property Master:
John Youngblood
Jesse Ross
Assistant Sound Editor:
Tran Hong-Thai
Adam Levin
Best Boy Grip:
Nick Zinobile
Boom Operator:
Chad Djubek
Casting:
Francine Maisler
Casting Assistant:
Molly Rose
Casting Associate:
Elizabeth Berra
Chief Lighting Technician:
Robert Sciretta
Conductor:
Marshall Bowen
Construction Coordinator:
Buster Pile
Construction Foreman:
Mike Matesic
Chip Eccles
Costume Design:
Brenda Abbandandolo
Costume Supervisor:
Terra Stuart
Costumer:
Gina La Monica
Sierra Mendoza
Tori Musial
James Eidel
Dialect Coach:
Jessica Drake
Dialogue Editor:
Michael Hertlein
Shane Hayes
Digital Colorist:
Andrea Chlebak
Digital Compositor:
Esme Coleman
Digital Imaging Technician:
Chase A. Abrams
Digital Intermediate Producer:
Vanessa Galvez
Patrick M. Allen
Director:
Brandon Trost
Director of Photography:
John Guleserian
Dolly Grip:
Gregory L. Edwards
Jason Kirker
Editor:
Lisa Zeno Churgin
Executive Producer:
Ted Gidlow
Alex McAtee
Simon Rich
Extras Casting:
Katie Shenot
First Assistant "A" Camera:
John Ruiz
First Assistant "B" Camera:
Deb Peterson
First Assistant Accountant:
Sheruldon P. Herron
First Assistant Director:
Mark Anthony Little
First Assistant Editor:
Michael Costello
Foley Artist:
Robin Harlan
Sarah Monat
Foley Mixer:
Nerses Gezalyan
Graphic Designer:
Raquel Bouvy
Brad Towell
Grip:
Doug Cronin
Brian Powers
John E. Tremba
Taylor Flick
Dan Flick
Jonathan Curotola
Hair Department Head:
Vanessa Price
Key Costumer:
Tasha Goldthwait
Key Grip:
Keith Seymour
Key Hair Stylist:
Candace Orlandi
Key Makeup Artist:
Eve Negley
Key Rigging Grip:
David A. Dwyer
Leadman:
Justin Pelissero
Lighting Technician:
Jacob Hoyson
Tom Klabnik
Allan Barch
Donald Klinefelter
Eliott Acevedo
Sean Murray
Local Casting:
Lynn Kressel
Donna M. Belajac
Location Manager:
Shawn Boyachek
Makeup Artist:
Doug Fairall
Makeup Department Head:
Lisa Layman
Music Editor:
Paul Apelgren
Music Supervisor:
Gabe Hilfer
Orchestrator:
Jeff Kryka
Original Music Composer:
Nami Melumad
Michael Giacchino
Post Production Supervisor:
Nancy Kirhoffer
Producer:
Evan Goldberg
Seth Rogen
James Weaver
Production Accountant:
Tanoa Parks
Production Coordinator:
Joni Smith
Production Design:
William Arnold
Production Secretary:
Gabrielle Gonnella
Production Sound Mixer:
Geoff Maxwell
Production Supervisor:
Austin Lapierre
Property Master:
Matthew Cavaliero
Scoring Mixer:
Dennis S. Sands
Screenplay:
Simon Rich
Script Supervisor:
Scott Peterson
Second Assistant "A" Camera:
Jason Cianella
Second Assistant "B" Camera:
Brian Bresnehan
Second Assistant Accountant:
Grayson Maxwell
Nathan Matt
Betsy Butterworth
Second Assistant Director:
Frederic Roth
Second Second Assistant Director:
Jonathan Medeiros
Set Decoration:
Karuna Karmarkar
Set Designer:
Adele Plauche
C. Scott Baker
Set Medic:
Amanda Bauder
Short Story:
Simon Rich
Sound Effects Editor:
Dan Kenyon
Jeff Sawyer
Jeremy Peirson
Laurent Kossayan
Sound Re-Recording Mixer:
Michael Babcock
Jeremy Peirson
Special Effects Coordinator:
Dean Tyrrell
Special Effects Supervisor:
Russell Tyrrell
Standby Painter:
Jolene Dames
Still Photographer:
Hopper Stone
Storyboard Artist:
Robin Richesson
Stunt Coordinator:
Matt Leonard
John Koyama
Stunts:
Hunter Baxley
Ryan Brown
Krisztian Kery
Matt Leonard
Cliff McLaughlin
Dennis Keiffer
Chad Knorr
Heather Bonomo
Brian Brown
Sergei Dmitriev
Alex Benevent
Simon Potter
Jason Silvis
Paul Nandzik
Matthew Rugetti
Shawn Howell
Justin A. Williams
Brian Duffy
Donald Mills
Supervising Sound Editor:
Branden Spencer
Michael Babcock
Transportation Captain:
Richard A. Koenig
Transportation Coordinator:
Marc Scott
Travel Coordinator:
Allison A. Millican
Unit Production Manager:
Ted Gidlow
Unit Publicist:
Sheryl Main
Visual Effects Coordinator:
Elijah Watson
Visual Effects Producer:
Vikki Chapman
Vincent Robert Rosas
Visual Effects Supervisor:
Gregory Oehler
Derek Ledbetter
Jason Evans
Adam Rowland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.