A work in constant progress (and occasional regress).
Compositor:
2010 Harry Potter and the Deathly Hallows: Part 1
2010 Save Our Bacon
2011 Harry Potter and the Deathly Hallows: Part 2
2015 Ant-Man
2018 Mission: Impossible - Fallout
Digital Compositor:
2010 Harry Potter and the Deathly Hallows: Part 1
2010 Save Our Bacon
2011 Harry Potter and the Deathly Hallows: Part 2
2015 Ant-Man
2017 Star Wars: The Last Jedi
2018 Johnny English Strikes Again
2018 Mission: Impossible - Fallout
2020 An American Pickle
2020 Godmothered
2022 Fantastic Beasts: The Secrets of Dumbledore
2022 Munich: The Edge of War
2024 The Book of Clarence
???? The Mothership
VFX Artist:
2010 Harry Potter and the Deathly Hallows: Part 1
2010 Save Our Bacon
2011 Harry Potter and the Deathly Hallows: Part 2
2015 Ant-Man
2017 Star Wars: The Last Jedi
2018 Johnny English Strikes Again
2018 Mission: Impossible - Fallout
2020 An American Pickle
2020 Godmothered
2022 Fantastic Beasts: The Secrets of Dumbledore
2022 Munich: The Edge of War
2022 Thor: Love and Thunder
2024 The Book of Clarence
???? The Mothership
Visual Effects:
2010 Harry Potter and the Deathly Hallows: Part 1
2010 Save Our Bacon
2011 Harry Potter and the Deathly Hallows: Part 2
2015 Ant-Man
2017 Star Wars: The Last Jedi
2018 22 July
2018 Johnny English Strikes Again
2018 Mission: Impossible - Fallout
2020 An American Pickle
2020 Godmothered
2022 Fantastic Beasts: The Secrets of Dumbledore
2022 Munich: The Edge of War
2022 Thor: Love and Thunder
2024 The Book of Clarence
???? The Mothership
Compositor:
2020 Locke & Key
Digital Compositor:
2014 Outlander
2018 The Little Drummer Girl
2019 Curfew
2019 See
2020 Bridgerton
2020 Locke & Key
2020 The Letter for the King
2020 We Are Who We Are
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.