James Weaver

Alias:
ジェームズ・ウィーバー

James Weaver is the President of Point Grey Pictures (PGP), the film and television production company founded by longtime collaborators Seth Rogen and Evan Goldberg.  Weaver produced Long Shot (2019), a romantic comedy directed by Jonathan Levine and starring Seth Rogen and Charlize Theron, which premiered at the 2019 SXSW Film Festival and was released by Lionsgate. He also produced Good Boys (2019), directed by Lee Eisenberg and Gene Stupnisky, and starring Jacob Tremblay.  His past producing credits include the Academy Award–nominated The Disaster Artist (2017), as well as Blockers (2018), the Neighbours franchise (2014-2016), Sausage Party, (2016) The Night Before (2015), The Interview (2014), and This Is the End (2013). Collectively, these films have earned more than $850 million at the global box office.  In television, Weaver serves as executive producer on several notable series, including Hulu's Future Man (2017-2019), Showtime's Black Monday (2019-2021), and AMC's Preacher (2016-2019).  Weaver began his career at United Talent Agency (UTA), where he met Rogen and Goldberg. He later served as associate producer on 50/50 (2011) before becoming a partner and President of Point Grey Pictures in 2013.

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Executive Producer:
2016  Preacher
2017  Future Man
2019  Black Monday
2019  The Boys
2021  Santa Inc.
2022  The Boys Presents: Diabolical
2023  Gen V
2023  Paul T. Goldman
2023  Platonic
2024  Sausage Party: Foodtopia
2025  The Studio
????  Vought Rising

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.