Scott Morris

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Scott Morris is an accomplished film editor with over a decade of industry experience. He has worked alongside acclaimed directors such as James Mangold, James Gray, Adam McKay, and Gareth Edwards. In 2022, Variety recognized him as one of its "Top 10 Artisans to Watch."  Morris’s most recent work, A Complete Unknown (directed by James Mangold), was both a critical and commercial triumph, earning eight Academy Award nominations, including Best Picture. Previously, he edited Gareth Edwards’s The Creator, which received two Oscar nominations. His collaborations with James Gray include Armageddon Time and Ad Astra, both of which premiered in competition at Cannes and Venice; Ad Astra later received an Oscar nomination. Additionally, Morris served as an additional editor on Adam McKay’s Don't Look Up, which was nominated for four Academy Awards, including Best Picture and Best Film Editing.  A graduate of Emerson College, Morris is represented by CAA.

Additional information:

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Additional Editing:
2019  Ad Astra

Additional Editor:
2019  Ad Astra
2021  Don't Look Up

Assistant Editor:
2015  Smosh: The Movie
2019  Ad Astra
2021  Don't Look Up

Editor:
2015  Smosh: The Movie
2016  Boys
2017  Boys On Film 17: Love Is the Drug
2019  Ad Astra
2021  Don't Look Up
2022  Armageddon Time
2023  The Creator
2024  A Complete Unknown

First Assistant Editor:
2015  Smosh: The Movie
2016  Boys
2017  Boys On Film 17: Love Is the Drug
2017  Papillon
2017  The Lost City of Z
2019  Ad Astra
2021  Don't Look Up
2022  Armageddon Time
2023  The Creator
2024  A Complete Unknown

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.