A work in constant progress (and occasional regress).
Scott Morris is an accomplished film editor with over a decade of industry experience. He has worked alongside acclaimed directors such as James Mangold, James Gray, Adam McKay, and Gareth Edwards. In 2022, Variety recognized him as one of its "Top 10 Artisans to Watch." Morris’s most recent work, A Complete Unknown (directed by James Mangold), was both a critical and commercial triumph, earning eight Academy Award nominations, including Best Picture. Previously, he edited Gareth Edwards’s The Creator, which received two Oscar nominations. His collaborations with James Gray include Armageddon Time and Ad Astra, both of which premiered in competition at Cannes and Venice; Ad Astra later received an Oscar nomination. Additionally, Morris served as an additional editor on Adam McKay’s Don't Look Up, which was nominated for four Academy Awards, including Best Picture and Best Film Editing. A graduate of Emerson College, Morris is represented by CAA.
Additional Editing:
2019 Ad Astra
Additional Editor:
2019 Ad Astra
2021 Don't Look Up
Assistant Editor:
2015 Smosh: The Movie
2019 Ad Astra
2021 Don't Look Up
Editor:
2015 Smosh: The Movie
2016 Boys
2017 Boys On Film 17: Love Is the Drug
2019 Ad Astra
2021 Don't Look Up
2022 Armageddon Time
2023 The Creator
2024 A Complete Unknown
First Assistant Editor:
2015 Smosh: The Movie
2016 Boys
2017 Boys On Film 17: Love Is the Drug
2017 Papillon
2017 The Lost City of Z
2019 Ad Astra
2021 Don't Look Up
2022 Armageddon Time
2023 The Creator
2024 A Complete Unknown
Assistant Editor:
2022 Winning Time: The Rise of the Lakers Dynasty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.