A work in constant progress (and occasional regress).
Birthplace:
Oak Ridge, Tennessee, USA
Born:
March 16, 1964
Gore Verbinski, one of American cinema's most inventive directors who was a punk-rock guitarist as a teenager and had to sell his guitar to buy his first camera, is now the director of Pirates of the Caribbean: Dead Man's Chest (2006) which made the industry record for highest opening weekend of all time ($135,600,000) and grossed over $1 billion dollars worldwide. He was born Gregor Verbinski on March 16, 1964 in Oak Ridge, Tennessee, to Laurette Ann (McGovern) and Victor Vincent Verbinski, a nuclear physicist who worked at the Oak Ridge Lab. His paternal grandparents were Polish. In 1967, the family moved to California, and young Gregor grew up near San Diego. His biggest influences as a kid were Franz Kafka's Metamorphosis and Black Sabbath's Master of Reality. He started his professional career as a guitarist for punk-rock bands, such as The Daredevils and The Little Kings, and also made his first films together with friends. After having developed a passion for filmmaking, he sold his guitar to buy a Super-8mm camera. Then Verbinski attended the prestigious UCLA Film School, from which he graduated in 1987 with his BFA in Film. His first professional directing jobs were music videos for alternative bands, such as L7, Bad Religion, and Monster Magnet. Then he moved to advertising and directed commercials for Nike, Canon, Skittles, United airlines and Coca-Cola. In 1993 he created the renowned Budweiser advertising campaign featuring croaking frogs, for which he was awarded the advertising Silver Lion at Cannes and also received four Clio Awards. Verbinski made his feature directorial debut with Mousehunt (1997), a remarkably visual cartoonish family comedy. His next effort, The Mexican (2001), came to a modest result. However, Verbinski bounced back with a hit thriller The Ring (2002), grossing over $230 million dollars worldwide. His biggest directorial success came with the Disney theme park ride based Pirates of the Caribbean: The Curse of the Black Pearl (2003), with a brilliant acting ensemble, grossing over $650 million dollars, and bringing five Oscar nominations and many other awards and nominations. Disney ordered two more films which Verbinski shot one after another on location in the Carribean islands, for which he had to endure both tetanus and typhoid immunization shots. After having survived several hurricanes, dealing with sick and injured actors, and troubleshooting after numerous technical difficulties of the epic-scale project, Verbinski delivered. He employed the same stellar cast in the sequel Pirates of the Caribbean: Dead Man's Chest (2006) and the third installment of the 'Pirates' franchise Pirates of the Caribbean: At World's End (2007). Gore Verbinski does not like publicity. He has been enjoying a happy family life with his wife and his two sons. He resides with his family in Los Angeles, California.
Director:
1996 The Ritual
1997 MouseHunt
2001 The Mexican
2002 The Ring
2003 Pirates of the Caribbean: The Curse of the Black Pearl
2003 Samara's Cursed Videotape
2005 The Weather Man
2006 Pirates of the Caribbean: Dead Man's Chest
2007 Pirates of the Caribbean: At World's End
2011 Rango
2013 The Lone Ranger
2017 A Cure for Wellness
???? Good Luck, Have Fun, Don't Die
???? Sandkings
???? Spaceless
???? Untitled Gore Verbinski Project
Producer:
1996 The Ritual
1997 MouseHunt
2001 The Mexican
2002 The Ring
2003 Pirates of the Caribbean: The Curse of the Black Pearl
2003 Samara's Cursed Videotape
2005 The Weather Man
2006 Pirates of the Caribbean: Dead Man's Chest
2007 Pirates of the Caribbean: At World's End
2011 Rango
2013 The Lone Ranger
2017 A Cure for Wellness
???? Good Luck, Have Fun, Don't Die
???? Sandkings
???? Spaceless
???? Untitled Gore Verbinski Project
Story:
1996 The Ritual
1997 MouseHunt
2001 The Mexican
2002 The Ring
2003 Pirates of the Caribbean: The Curse of the Black Pearl
2003 Samara's Cursed Videotape
2005 The Weather Man
2006 Pirates of the Caribbean: Dead Man's Chest
2007 Pirates of the Caribbean: At World's End
2011 Rango
2013 The Lone Ranger
2017 A Cure for Wellness
???? Good Luck, Have Fun, Don't Die
???? Sandkings
???? Spaceless
???? Untitled Gore Verbinski Project
Thanks:
1996 The Ritual
1997 MouseHunt
2001 The Mexican
2002 The Ring
2003 Pirates of the Caribbean: The Curse of the Black Pearl
2003 Samara's Cursed Videotape
2005 The Weather Man
2006 Pirates of the Caribbean: Dead Man's Chest
2007 Pirates of the Caribbean: At World's End
2008 Anvil! The Story of Anvil
2009 The Cove
2011 Rango
2013 The Lone Ranger
2017 A Cure for Wellness
???? Good Luck, Have Fun, Don't Die
???? Sandkings
???? Spaceless
???? Untitled Gore Verbinski Project
Writer:
1996 The Ritual
1997 MouseHunt
2001 The Mexican
2002 The Ring
2003 Pirates of the Caribbean: The Curse of the Black Pearl
2003 Samara's Cursed Videotape
2005 The Weather Man
2006 Pirates of the Caribbean: Dead Man's Chest
2007 Pirates of the Caribbean: At World's End
2008 Anvil! The Story of Anvil
2009 The Cove
2011 Rango
2013 The Lone Ranger
2017 A Cure for Wellness
???? Good Luck, Have Fun, Don't Die
???? Sandkings
???? Spaceless
???? Untitled Gore Verbinski Project
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.