A work in constant progress (and occasional regress).
Release Date:
May 1, 2019
Original Title:
Господ постои, името ѝ е Петрунија
Alternate Titles:
Dieu existe, son nom est Petrunya
God Exists, Her Name Is Petrunija
God Exists, Her Name is Petrunya
Gospod postoi, imeto i' e Petrunija
Gott existiert, ihr Name ist Petrunya
Бог существует, ее имя – Петруния
上帝存在,她的名字是佩托尼亚
佩图尼亚神加持
Genres:
Drama
Production Companies:
CNC
Casa Kafka Pictures
Centre du Cinéma et de l'Audiovisuel de la FWB
Deuxième Ligne Films
Entre Chien et Loup
Eurimages
Hrvatski Audiovizualni Centar
Macedonian Film Fund
Sisters and Brother Mitevski
Slovenian Film Center
Spiritus Movens
Vertigo
Production Countries:
Belgium | Croatia | France | Macedonia | Slovenia
Ratings / Certifications:
AT: 12 DE: 12 JP: R18+
Runtime: 100
In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.
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Costume Designer:
Monika Lorber
Director:
Teona Strugar Mitevska
Director of Photography:
Virginie Saint-Martin
Editor:
Marie-Hélène Dozo
Original Music Composer:
Olivier Samouillan
Producer:
Marie Dubas
Zdenka Gold
Danijel Hočevar
Sébastien Delloye
Elie Meirovitz
Labina Mitevska
Production Design:
Vuk Mitevski
Sound:
Hrvoje Petek
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.