A work in constant progress (and occasional regress).
Alias:
Virginie Saint Martin
Birthplace:
Belgium
Born:
December 15, 1965
Cinematography:
???? Mother
Director of Photography:
1989 Les Vloems
1994 La Séparation
1996 Roger
1997 Parabellum
1998 Max & Bobo
1999 An Affair of Love
2000 Filming Desire: A Journey Through Women’s Cinema
2000 Thomas in Love
2003 Feathers in My Head
2005 Une famille pas comme les autres
2007 I am from Titov Veles
2008 Restless
2009 Angel at Sea
2009 Oscar and the Lady in Pink
2010 Special Treatment
2012 Ombline
2012 Tango Libre
2013 The Silence of the Church
2014 Marie's Story
2015 Family for Rent
2017 Bye Bye Germany
2018 Mad Mom
2019 God Exists, Her Name Is Petrunya
2020 A Mermaid in Paris
2022 Country Cabaret
2023 Take a Chance on Me
2023 The Happiest Man in the World
???? Les chèvres aussi s'évanouissent
???? Mother
Director of Photography:
2022 The Perfect Mother
???? Été 36
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.