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Danijel Hočevar

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Film Production

Co-Producer:
2004  Suburbs

Executive Producer:
1988  Remington
2004  Suburbs

Producer:
1986  The Fatal Telephone
1988  Remington
1997  Stereotype
2003  Spare Parts
2004  Labour Equals Freedom
2004  Suburbs
2004  The Red Colored Grey Truck
2004  Visions of Europe
2005  Ruins
2006  The Border Post
2008  The World Is Big and Salvation Lurks Around the Corner
2009  Slovenian Girl
2010  Going Our Way
2011  Good Night, Missy
2011  House D
2011  The State of Shock
2012  The Woman Who Brushed Off Her Tears
2013  Ulay
2017  Every Good Story Is a Love Story
2019  God Exists, Her Name Is Petrunya
2019  Half-Sister
2019  My Last Year as a Loser
2020  Father
2022  Disappearing
2022  Reconciliation
2022  Small Body
????  Hidden People

Production Director:
1986  The Fatal Telephone
1988  Remington
1997  Stereotype
2003  Spare Parts
2004  Labour Equals Freedom
2004  Suburbs
2004  The Red Colored Grey Truck
2004  Visions of Europe
2005  Ruins
2006  The Border Post
2008  The World Is Big and Salvation Lurks Around the Corner
2009  Slovenian Girl
2010  Going Our Way
2011  Good Night, Missy
2011  House D
2011  The Alexandrian Women
2011  The State of Shock
2012  The Woman Who Brushed Off Her Tears
2013  Ulay
2017  Every Good Story Is a Love Story
2019  God Exists, Her Name Is Petrunya
2019  Half-Sister
2019  My Last Year as a Loser
2020  Father
2022  Disappearing
2022  Reconciliation
2022  Small Body
????  Hidden People

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.