A work in constant progress (and occasional regress).
Release Date:
December 11, 2020
Original Title:
Wander Darkly
Alternate Titles:
Perdidos na Escuridão
Genres:
Drama | Romance
Production Companies:
51 Entertainment
Shivhans Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 CA: R DE: 12 GB: 15 PL: 16 PT: M/14 US: R
Runtime: 97
New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship. They must revisit the memories of their past and unravel haunting truths in order to face their uncertain future.
"A" Camera Operator:
Brian Freesh
"B" Camera Operator:
Ben Hardwicke
Art Direction:
Dustin James Tiberend
Assistant Camera:
Grant MacAllister
Sara Ingram
Cory Solon
Otis Sherman
Cole Ellett
Rachel S. Fox
Jamiel VanOver
Natalie Abraham
Assistant Chief Lighting Technician:
Johan Martinez
Assistant Costume Designer:
Leah Butler
Assistant Location Manager:
Stephen Andrzejewski
James Manera
Best Boy Grip:
Mike Prim
Boom Operator:
Tim Song Jones
Camera Intern:
Silvana Valadez
Casting Director:
Jeanne McCarthy
Nicole Abellera Hallman
Catering Head Chef:
Frank Pelluchon
Chief Lighting Technician:
Danny Durr
Costume Designer:
Christopher Lawrence
Costume Supervisor:
Ryck Schmidt
Costumer:
Allie Venrick
Rachael Hranka
Craft Service:
Hrant Matosian
Digital Imaging Technician:
Tamas Harangi
Carmen Del Toro
Director:
Tara Miele
Director of Photography:
Carolina Costa
Editor:
Tamara Meem
Alex O'Flinn
Executive Producer:
Mark David Katchur
Connor Flanagan
Extras Casting:
Kristan Berona
First Assistant Director:
Rachel Jensen
First Assistant Editor:
Rachel Watson
James Stiegelbauer
Foley Mixer:
Jo Caron
Frank Gaeta
Hair Department Head:
Nani Casillas
Key Costumer:
Atara Glazer
Key Grip:
Adam Kolegas
Key Hair Stylist:
Tania Kahale
Key Makeup Artist:
Glen P. Griffin
Lighting Technician:
Juan Smith-Valle
Location Manager:
Brian S. Kalata
Makeup Department Head:
Lisa Layman
Music Editor:
Joanie Diener
Music Supervisor:
Andrea von Foerster
Original Music Composer:
Alex Weston
Other:
Lisa Davidson
Brooks Fairley
Diana Brown
Ariel Loh
Post Production Supervisor:
Lily Gwyer-Miller
Producer:
Lynette Howell Taylor
Samantha Housman
Monica Levinson
Shivani Rawat
Production Assistant:
Tina Haveles
Stephanie Dawson
Production Design:
Katie Byron
Production Intern:
Chloe Xtina
Tyler Mendelson
Production Sound Mixer:
Chris Howland
Anthony Enns
Production Supervisor:
Michael A. Galasso
Property Master:
Thomas Spence
Brenden Salmon
Script Supervisor:
Elena Antzon
Second Assistant Director:
Randin Brown
Second Unit Director of Photography:
Brett Juskalian
Set Decoration:
Adrienne Garcia
Sound Mixer:
Frank Gaeta
Sound Re-Recording Mixer:
Cody Skully
Frank Gaeta
Steadicam Operator:
Brian Freesh
Still Photographer:
Michael Moriatis
Studio Teacher:
Alicia Kalvin
Bettina Russo
Missy Simms
Stunts:
Justin Gant
George Fisher
Chris Carnel
Ken Fournier
Tim James
Alice Ford
Supervising Sound Editor:
Frank Gaeta
Underwater Camera:
Jacqueline Lehr
Unit Production Manager:
Mark David Katchur
Utility Sound:
Chris Thueson
Visual Effects Supervisor:
Grant Miller
David Lebensfeld
Writer:
Tara Miele
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.