A work in constant progress (and occasional regress).
Birthplace:
Boston, Massachusetts, USA
Samantha Housman is an American producer native of Boston. She first worked as a freelance AD. In 2008, she co-founded with Louise Runge an independent production company, ONEZERO Films.
Co-Producer:
2016 Captain Fantastic
2016 Rebirth
2017 The Bad Batch
Executive Producer:
2014 Ride
2016 Captain Fantastic
2016 Rebirth
2017 1922
2017 Clinical
2017 The Bad Batch
2018 Love & Bananas: An Elephant Story
Post Production Coordinator:
2009 The Greatest
2010 Brotherhood
2010 Sympathy for Delicious
2014 Ride
2016 Captain Fantastic
2016 Rebirth
2017 1922
2017 Clinical
2017 The Bad Batch
2018 Love & Bananas: An Elephant Story
Post Production Supervisor:
2009 The Greatest
2009 Universal Soldier: Regeneration
2010 Brotherhood
2010 Sympathy for Delicious
2012 Chernobyl Diaries
2013 Lost for Life
2014 Ride
2016 Captain Fantastic
2016 Rebirth
2017 1922
2017 Clinical
2017 The Bad Batch
2018 Love & Bananas: An Elephant Story
Producer:
2009 The Greatest
2009 Universal Soldier: Regeneration
2010 Brotherhood
2010 Sympathy for Delicious
2012 28 Hotel Rooms
2012 Chernobyl Diaries
2013 Lost for Life
2013 Sparrows Dance
2014 Glass Chin
2014 Ride
2016 Captain Fantastic
2016 Rebirth
2017 1922
2017 Clinical
2017 The Bad Batch
2018 6 Balloons
2018 Love & Bananas: An Elephant Story
2020 Wander Darkly
2025 A Tree Fell in the Woods
???? Wolf Country
Unit Production Manager:
2009 The Greatest
2009 Universal Soldier: Regeneration
2010 Brotherhood
2010 Sympathy for Delicious
2012 28 Hotel Rooms
2012 Chernobyl Diaries
2013 Lost for Life
2013 Sparrows Dance
2014 Glass Chin
2014 Ride
2016 Captain Fantastic
2016 Rebirth
2017 1922
2017 Clinical
2017 The Bad Batch
2018 6 Balloons
2018 Love & Bananas: An Elephant Story
2020 Wander Darkly
2025 A Tree Fell in the Woods
???? Wolf Country
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.