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Katie Byron

Biography from TheMovieDB

Katie Byron is a Production Designer for Film and Video. She is know for Booksmart (2019) and C'mon C'mon (2021).

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Film Production

Production Design:
2010  Behind the scenes of All That Glitters
2010  Weird: The Al Yankovic Story
2011  Unbeleafable
2012  The Babymakers
2013  Breathe In
2013  Plush
2015  Equals
2015  The Final Girls
2017  Newness
2018  Zoe
2019  Booksmart
2019  Color Out of Space
2020  Wander Darkly
2021  C'mon C'mon
2021  Zola
2022  Don't Worry Darling
2024  Problemista
2025  A Big Bold Beautiful Journey

Thanks:
2010  Behind the scenes of All That Glitters
2010  Weird: The Al Yankovic Story
2011  Unbeleafable
2012  The Babymakers
2013  Breathe In
2013  Plush
2015  Equals
2015  The Final Girls
2016  Sausage Party
2017  Newness
2018  Zoe
2019  Booksmart
2019  Color Out of Space
2020  Wander Darkly
2021  C'mon C'mon
2021  Zola
2022  Don't Worry Darling
2024  Problemista
2025  A Big Bold Beautiful Journey

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TV Production

Production Design:
2012  The Beauty Inside
2015  Documentary Now!
2017  Brockmire
2020  A Teacher
2023  The Curse

Production Designer:
2012  The Beauty Inside
2015  Documentary Now!
2017  Brockmire
2020  A Teacher
2023  The Curse

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.