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Laurie Rose

Biography from TheMovieDB

Born in East London, gaining an art school background followed by a number of years in television and documentary, Laurie always wanted to convey stories visually. His break into narrative work came almost by accident with director Ben Wheatley on DOWN TERRACE (2009) and since then a passion for combining story with the moving image has led to further collaborations with some of the most exciting directors working today. For Laurie, it’s resolutely about collaboration – joining with like-minded people to realise a story together. Now based in Brighton, Laurie lives with his wife and two children.  Laurie Rose is known for his work with Ben Wheatley including HIGH-RISE and FREE FIRE. Also LONDON SPY, for the BBC for which he won a BAFTA for Photography and Lighting in 2016 and Season 3 of BBC’s PEAKY BLINDERS. Recent film credits include Saul Dibb’s JOURNEY’S END, Dominic Savage’s THE ESCAPE, Jon S Baird’s STAN AND OLLIE, starring Steve Coogan and John C Reilly, as well as PET SEMATARY, directed by Kevin Kölsch and Dennis Widmyer. Projects due to release are REBECCA (Working Title/Netflix), and FREAKY (Universal/Blumhouse) – most recent projects include Jessica Swale’s SUMMERLAND and Gavin Rothery’s ARCHIVE.  Laurie is an accredited member and a Governor of the British Society of Cinematographers.  (https://www.asff.co.uk/delegate/laurie-rose-2/)

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Film Production

"A" Camera Operator:
2015  High-Rise
2020  Archive

Camera Operator:
2015  High-Rise
2020  Archive
2020  Summerland

Director of Photography:
2010  Down Terrace
2011  Kill List
2012  Sightseers
2013  A Field in England
2013  Pieces
2013  The ABCs of Death
2014  ABCs of Death 2
2015  Bill
2015  High-Rise
2016  NW
2017  Free Fire
2017  Journey's End
2018  Happy New Year, Colin Burstead
2018  Journeyman
2018  Overlord
2018  Stan & Ollie
2018  The Escape
2019  Pet Sematary
2020  Archive
2020  Freaky
2020  Rebecca
2020  Summerland
2022  Catherine Called Birdy
2022  Rosaline
2022  The Human Voice
????  Madfabulous

Second Assistant Director:
2010  Down Terrace
2011  Kill List
2012  Sightseers
2013  A Field in England
2013  Pieces
2013  The ABCs of Death
2014  ABCs of Death 2
2015  Bill
2015  High-Rise
2015  Unhallowed Ground
2016  NW
2017  Free Fire
2017  Journey's End
2018  Happy New Year, Colin Burstead
2018  Journeyman
2018  Overlord
2018  Stan & Ollie
2018  The Escape
2019  Pet Sematary
2020  Archive
2020  Freaky
2020  Rebecca
2020  Summerland
2022  Catherine Called Birdy
2022  Rosaline
2022  The Human Voice
????  Madfabulous

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TV Production

"B" Camera Operator:
2015  London Spy

Director of Photography:
2013  Peaky Blinders
2015  London Spy
2022  The Lord of the Rings: The Rings of Power
2023  Silo
2024  Apples Never Fall

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.