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The Last Black Man in San Francisco (2019) [R]

Release Date:
June 7, 2019

Original Title:
The Last Black Man in San Francisco

Alternate Titles:
Ostatni Czarny w San Francisco
The Last Black Man in San Francisco
Последний черный в Сан-Франциско

Genres:
Drama

Production Companies:
A24
Longshot
Plan B Entertainment

Production Countries:
United States of America

Ratings / Certifications:
FR: 12  GB: 15  IE: 15A  JP: PG12  PL: 16  US: R 

Runtime: 121

Fight for your land. Fight for your home.

Overview from TheMovieDB

Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.

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Performers

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Production

ADR Mixer:
Chris Navarro
Dmitri Makarov

Additional Editor:
Harry Yoon

Animal Wrangler:
Beverly Ulbrich

Art Department Coordinator:
Liz McBee

Art Department Production Assistant:
Travis Neal

Art Direction:
Olivia Kanz

Assistant Accountant:
Christine K. O'Malley

Assistant Art Director:
Ethan Caflisch

Assistant Editor:
Kelly Soll
Matt Miller

Associate Producer:
Sydney Lowe
Natalie Teter
Maya Rudolph

Best Boy Electric:
Mike Booth

Best Boy Grip:
Pauly Harper

Boom Operator:
Corryn Deegan

Camera Operator:
Boris Price

Casting:
Nina Henninger
Julia Kim

Casting Associate:
Rob Richert
Sarah Kliban

Co-Producer:
Luis Alfonso De la Parra
Rob Richert

Costume Design:
Amanda Ramirez

Costume Supervisor:
Kristen McCullough

Digital Imaging Technician:
Tim Erickson

Director:
Joe Talbot

Director of Photography:
Adam Newport-Berra

Dolly Grip:
Joseph Matarrese

Editor:
David Marks

Executive Producer:
Sarah Esberg
Kimberly Parker
Brad Pitt

Extras Casting:
Jerry Dwyer Jr.

First Assistant "B" Camera:
Aaron Kirby

First Assistant Camera:
Jeph Folkins

First Assistant Director:
Hilton Jamal Day

Foley Artist:
Chris Manning

Gaffer:
Tej Virdi

Graphic Designer:
Tara Lynch

Hair Department Head:
Kimberly Carlson

Hairstylist:
Tara Marshell

Key Grip:
Jason Michael Noel

Key Hair Stylist:
Elizabeth Fox
Kekepania Vasquez-Tamali'i

Leadman:
Omid Matthew

Line Producer:
Kimberly Parker

Location Coordinator:
Jessica Lee Malloure

Makeup Artist:
Josie Rodriguez
Sarah Coy

Makeup Department Head:
Antoinette Yoka

Music Editor:
Julie Glaze Houlihan

Music Supervisor:
Terri D'Ambrosio

Orchestrator:
Catherine Joy

Original Music Composer:
Emile Mosseri

Post Production Supervisor:
Maya Rudolph

Producer:
Khaliah Neal
Joe Talbot
Dede Gardner
Christina Oh
Jeremy Kleiner

Production Accountant:
Gaetano Akiya

Production Coordinator:
Sydney Lowe

Production Design:
Jona Tochet

Property Master:
Brendan Stewart
Rachel Groat

Scenic Artist:
Garrett Lowe

Screenplay:
Joe Talbot
Rob Richert

Script Supervisor:
Rob Richert

Second Assistant Camera:
Shannon Bringham

Second Assistant Director:
Dominic Martin

Second Second Assistant Director:
Jeremiah Kelleher

Set Costumer:
Anya Zebroski
Valerie Emmi

Set Decoration:
Elena Nommensen

Set Dresser:
Eric Louie
Natalia Poltoratzky
Dylan Koller

Sound Designer:
Kent Sparling

Sound Effects Editor:
Luke Dunn Gielmuda
David C. Hughes

Sound Mixer:
Sage Bilderback

Sound Re-Recording Mixer:
Kent Sparling

Sound Recordist:
Brian R. Taylor

Steadicam Operator:
Joe Lindsay

Still Photographer:
Laila Bahman

Story:
Jimmie Fails
Joe Talbot

Stunt Coordinator:
Tony Vella

Stunt Double:
Nile Gibbs
Marlon Ingram

Supervising Sound Editor:
Dmitri Makarov

Tailor:
Tiffany Amundson
Shannon Sigman

Transportation Captain:
Anthony R. Sacco

Unit Production Manager:
Natalie Teter

VFX Artist:
Darren Fanton

Visual Effects Supervisor:
Adam Fanton

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.