A work in constant progress (and occasional regress).
Born:
August 11, 1985
Emile Mosseri is an award-winning composer, pianist, singer and producer who has quickly made a name for himself in the world of film and television scoring with his song-based approach to crafting emotionally-stirring compositions. Mosseri made his feature film score debut with Sundance standout The Last Black Man in San Francisco (2019), garnering extensive critical acclaim from Pitchfork, LA Times, Entertainment Weekly and more, with NPR lauding, “Mosseri’s score gives the film an extra layer of poetry and transcendence.” A breakout moment for the young composer, the sweepingly romantic score cemented Mosseri as a sought-after collaborator, next joining director Miranda July for her comedic crime drama Kajillionaire (2020). Described by Billboard as “an integral part of the film and a delight on its own,” Mosseri’s score also featured a collaboration with acclaimed singer-songwriter Angel Olsen, the duo pairing up for a cover of Bobby Vinton classic “Mr. Lonely.” Meanwhile, Mosseri’s television credits include Terence Nance’s HBO series Random Acts of Flyness as well as season 2 of Amazon’s Homecoming, with Vulture describing his work as “the secret weapon” of the Janelle Monáe-led show. Mosseri’s latest project is director Lee Isaac Chung’s family drama Minari, which made its award-winning debut at this year’s Sundance Film Festival. The score has once again been lauded by critics.
Music:
2020 Nichols Canyon Road
2021 My Heroes Were Cowboys
Musician:
2020 Nichols Canyon Road
2021 My Heroes Were Cowboys
2022 I Am Whole
Original Music Composer:
2016 And Nothing Happened
2016 How To Tell You're A Douchebag
2016 What My Love is For
2017 Coin Operated
2017 Marz
2019 The Last Black Man in San Francisco
2020 Kajillionaire
2020 Nichols Canyon Road
2021 Exquisite Shorts
2021 Minari
2021 My Heroes Were Cowboys
2022 I Am Whole
2022 Stutz
2023 When You Finish Saving the World
Music:
2018 Random Acts of Flyness
Original Music Composer:
2018 Homecoming
2018 Random Acts of Flyness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.