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Joe Talbot (b. 1990)

Alias:
Joseph Lyle Talbot

Birthplace:
San Francisco, California, USA

Born:
July 11, 1990

Biography from TheMovieDB

Joe Talbot is a fifth-generation San Franciscan musician and award-winning filmmaker. His feature-length debut, "The Last Black Man in San Francisco" -- adapted from the life of childhood friend and longtime collaborator, Jimmie Fails -- won the 2019 Sundance Film Festival Directing Award, as well as a Special Jury Prize for Creative Collaboration. The New York Times' Manohla Dargis called Talbot's emerging work "heart-skipping...gorgeous and exultant.

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Additional information:

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Film Production

Director:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

Editor:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

Original Music Composer:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

Producer:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

Screenplay:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

Story:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

Writer:
2017  American Paradise
2019  The Last Black Man in San Francisco
????  Shot Edited
????  The Governesses

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.