A work in constant progress (and occasional regress).
Alias:
Nigel Lyndsay
Birthplace:
St. John's Wood, London, England, UK
Born:
December 17, 1969
From Wikipedia, the free encyclopedia Nigel Lindsay is an English actor. As well as many roles in TV and in film, most notably as Barry, the Muslim convert in Chris Morris's feature debut Four Lions for which he was nominated for Best British Comedy Performance in Film at the British Comedy Awards 2011, he has worked extensively in theatre, most recently opposite Sir Antony Sher as Dr Harry Hyman in Arthur Miller's Broken Glass at the Tricycle Theatre, for which he won the 2011 Whatsonstage Theatregoers' Choice Award as Best Supporting Actor. Nigel played Mugsy opposite Ray Winstone and Phil Daniels in the original 1995 National Theatre production of Patrick Marber’s Dealer's Choice; Max in The Real Thing by Tom Stoppard which won three Tonys on Broadway in 2000; Ariel in the 2004 Olivier award winning National Theatre production of Martin McDonagh’s The Pillowman, with Jim Broadbent and David Tennant; Nathan Detroit in Michael Grandage’s Guys and Dolls at the Piccadilly Theatre in 2005, and Lenny in Harold Pinter’s The Homecoming with Ken Cranham and Danny Dyer at the Almeida Theatre in 2009. He was also nominated in the 2008 WOS Awards as Best Supporting Actor opposite Stockard Channing and Jodie Whittaker in Awake and Sing, directed by Michael Attenborough at the Almeida Theatre. He will play the title character in the West End production of Shrek the Musical, which will begin performances at Theatre Royal, Drury Lane in May 2011. Description above from the Wikipedia article Nigel Lindsay, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.