A work in constant progress (and occasional regress).
Alias:
Denise Marie Renée Marchand
Коринн Маршан
Birthplace:
Paris, France
Born:
December 4, 1931
Blonde Corrine Marchand began her career as a vocalist, singing in nightclubs, operettas and revues. In addition, she was a successful photographic model who eventually made her motion picture debut as an oriental dancer in Cadet Rousselle (1954). After several years playing minor parts, she hit the big time as the sad, pensive titular protagonist of Agnès Varda's Cléo from 5 to 7 (1962). In the role of the beautiful, vain and superstitious Parisian pop singer Cléo Victoire who confronts her mortality, Marchand was spot-on casting and gave a performance which is still regarded as iconic in the French New Wave cinema of the sixties. 'Cleo' was further enhanced by Marchand's charming rendition of Michel Legrand's "Sans Toi", "La Joyeuse" and "La Menteuse". The actress never had another role to match this, despite significant leads in several international and French productions like Nunca pasa nada (1963), The Hour of Truth (1965), Les Sultans (1966), the Italo western Man from Nowhere (1966), the dour Charles Bronson thriller Rider on the Rain (1970) and the rollicking gangland crime drama Borsalino (1970). Aside from her work as an actress, Marchand developed a lucrative side project as an apiarist, following her graduation from the Charenton School of Beekeeping
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.