A work in constant progress (and occasional regress).
Original Music Composer:
2001 Ice Cream, Chocolate and Other Consolations
Sound:
2001 Ice Cream, Chocolate and Other Consolations
2008 Antoine
2014 Tokyo Fiancée
2021 Big Brother
2022 White Dog
2023 Red Rooms
2025 Paul
Sound Designer:
2001 Ice Cream, Chocolate and Other Consolations
2008 Antoine
2014 Tokyo Fiancée
2015 Snowtime!
2021 Big Brother
2022 White Dog
2023 Red Rooms
2025 Paul
Sound Mixer:
2001 Ice Cream, Chocolate and Other Consolations
2008 Antoine
2014 Tokyo Fiancée
2015 Snowtime!
2015 When Monsters Were Real
2020 Nadia, Butterfly
2021 Big Brother
2021 Resources
2021 The Music Lesson
2022 White Dog
2023 Red Rooms
2025 Paul
Sound Re-Recording Mixer:
2001 Ice Cream, Chocolate and Other Consolations
2006 The Besieged Fortress
2008 Antoine
2009 Polytechnique
2014 Tokyo Fiancée
2015 Snowtime!
2015 When Monsters Were Real
2016 Rupture
2017 Gnome Alone
2018 Charming
2018 The Fireflies Are Gone
2019 Antigone
2019 Trouble
2020 Nadia, Butterfly
2020 Target Number One
2021 Beans
2021 Big Brother
2021 CODA
2021 Resources
2021 The Music Lesson
2021 Woman in Car
2022 Queens of the Qing Dynasty
2022 Three Times Nothing
2022 White Dog
2023 Dream Scenario
2023 Red Rooms
2025 Paul
Sound mixer:
2001 Ice Cream, Chocolate and Other Consolations
2005 Yule Croak
2006 The Besieged Fortress
2008 Antoine
2009 Polytechnique
2014 Tokyo Fiancée
2015 Snowtime!
2015 When Monsters Were Real
2016 Rupture
2017 Gnome Alone
2018 Charming
2018 The Fireflies Are Gone
2019 Antigone
2019 Trouble
2020 Nadia, Butterfly
2020 Target Number One
2021 Beans
2021 Big Brother
2021 CODA
2021 Resources
2021 The Music Lesson
2021 Woman in Car
2022 Queens of the Qing Dynasty
2022 Three Times Nothing
2022 White Dog
2023 Dream Scenario
2023 Red Rooms
2025 Paul
Sound:
2017 The Disappearance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.