Laurin Kelsey

Birthplace:
Vancouver, British Columbia, Canada

Laurin Kelsey is Production Designer & Art Director from Western Canada who started in film in 2001 and went to school for Set & Costume Design at the University of Victoria. After completing her Bachelor of Fine Arts in Theatre Design at the University of Victoria, Laurin went on to complete a year at the National Theatre School of Canada in their Scenography (Set & Costume Design) Program in Montreal. In between her schooling, Laurin pursued a career in Film & Television, where she worked on Stargate SG1 (TV), Stargate Atlantis (TV), Sanctuary (TV), Night at the Museum II (Feature Film), and Stan Helsing (Feature Film). From 2011 to 2014, Laurin lived and worked in Berlin, Germany in both Theatre and Film. During that time, Laurin worked as an Art Director on several Independent Films and Web Series, as well as working as a Theatre Designer at the English Theatre Berlin, Tacheles Theatre Berlin, Die Weisse Rose Theatre, at the Prague at the Quadrennial and more. Since returning to Canada in 2014, Laurin has worked on over 25 film & television productions as well as continued her Theatre Design career, designing over 15 shows on Vancouver Island for various theatres. From 2014-2017, Laurin was also an Instructor in Theatre Design & Scenic Painting at the University of Victoria and at Vancouver Island University.  Currently, Laurin regularly works on films and TV series as a Production Designer. Most recently Laurin has worked as the Production Designer for Mike Flanagan's series, The Fall of the House of Usher and The Midnight Club, with the later coming out on Netflix October 7th, 2022.

Additional information:

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Art Direction:
2021  Midnight Mass

Assistant Art Director:
2019  Pup Academy
2020  The Baby-Sitters Club
2021  Midnight Mass

Modeling:
2008  Sanctuary
2019  Pup Academy
2020  The Baby-Sitters Club
2021  Midnight Mass

Production Design:
2008  Sanctuary
2019  Pup Academy
2020  The Baby-Sitters Club
2021  Midnight Mass
2022  The Midnight Club
2023  The Fall of the House of Usher

Production Designer:
2008  Sanctuary
2019  Pup Academy
2020  The Baby-Sitters Club
2021  Midnight Mass
2022  The Midnight Club
2023  The Fall of the House of Usher

Property Buyer:
2008  Sanctuary
2016  Chesapeake Shores
2019  Pup Academy
2020  The Baby-Sitters Club
2021  Midnight Mass
2022  The Midnight Club
2023  The Fall of the House of Usher

Props:
2004  Stargate Atlantis
2008  Sanctuary
2016  Chesapeake Shores
2019  Pup Academy
2020  The Baby-Sitters Club
2021  Midnight Mass
2022  The Midnight Club
2023  The Fall of the House of Usher

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.