A work in constant progress (and occasional regress).
Alias:
Jian McMillon
Joi McMillon is an American film editor. In 2003, she graduated from Florida State University College of Motion Picture Arts. McMillon is known for her work on the Academy Award-winning films Moonlight (2016) and If Beale Street Could Talk (2018), both winning several respective accolades. McMillon initially planned to be a journalist, but a high school field trip to Universal Studios introduced her to the craft of editing and inspired her to apply to film school. She attended Florida State University College of Motion Picture Arts, graduating in 2003. Joi McMillon's first job on an editorial team was as a night assistant editor on The Surreal Life, Season 3, with Flavour Flav and Brigitte Nielsen. Her first time cutting footage together was a teaser for Beauty and the Geek. In 2017, she was nominated for an Academy Award for Best Film Editing (shared with Nat Sanders) at the 89th Academy Awards. McMillon is the first Black woman to be nominated for an Oscar for film editing. Barry Jenkins said of her nomination in 2017: "I respect her work. It makes me very proud of the work she did to see that I'm not the only one. Clearly all these folks in the academy respected the work she did as well." McMillon also won (with Nat Sanders) Best Film Editing for her work on Moonlight at the 2017 Spirit Awards. Since then, she has edited numerous films and a television series. In 2018, she collaborated with Nat Sanders again on the editing of If Beale Street Could Talk. In 2020, McMillon cut together Zola with filmmaker Janicza Bravo. Zola went on to win the 2022 Winner Independent Spirit Award for Best Editing. In 2021, Joi led the editorial department on The Underground Railroad, a short series adapted from Colson Whitehead's Pulitzer Prize-winning novel for Amazon Studios. Description above from the Wikipedia article Joi McMillon, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Editor:
2014 Wyatt Cenac: Brooklyn
2016 Sausage Party
Editor:
2014 Wyatt Cenac: Brooklyn
2016 Man Rots from the Head
2016 Moonlight
2016 Sausage Party
2017 Lemon
2018 American Woman
2018 If Beale Street Could Talk
2021 Zola
2024 Mufasa: The Lion King
???? In Process
Production Design:
2003 Little Brown Boy
2003 My Josephine
2014 Wyatt Cenac: Brooklyn
2016 Man Rots from the Head
2016 Moonlight
2016 Sausage Party
2017 Lemon
2018 American Woman
2018 If Beale Street Could Talk
2021 Zola
2024 Mufasa: The Lion King
???? In Process
Thanks:
2003 Little Brown Boy
2003 My Josephine
2009 Medicine for Melancholy
2014 Wyatt Cenac: Brooklyn
2016 Man Rots from the Head
2016 Moonlight
2016 Sausage Party
2017 Lemon
2018 American Woman
2018 If Beale Street Could Talk
2021 Zola
2024 Mufasa: The Lion King
???? In Process
Editor:
2012 Girls
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.